The Six Triple Eight
“The Six Triple Eight” has its heart in the right place, it’s just not a particularly good film.
“The Six Triple Eight” has its heart in the right place, it’s just not a particularly good film.
A wry, effervescent series that’s laser-focused on the flightiness of modern millennial dating life.
After months of morose awards season fare, there’s something so refreshing about the refined simplicity of the Netflix original “Carry-On.”
Filmmakers Laura Mora and Alex García López clearly have great reverence for the work, and perhaps it needs this literal translation to screen.
A show that brushes past Gerard Butler’s corn-fed actioner conceit and does something alternatingly innovative and tedious with it.
Margo Martindale stars in a very “Fargo”-esque tale of criminals and maple syrup on Prime Video.
A TV review of the new DCU show, the launch of the universe overseen by James Gunn.
Netflix continues a strong late 2024 with another great thriller, Black Doves.
Skeleton Crew is fun in ways that Star Wars hasn’t been lately.
It all comes down to Leone, whose committed turn patches some of the many holes in the show’s engine.
Netflix has a great thriller to make you thankful today in “The Madness.”
Jordan Weiss’s feature debut “Sweethearts” has its charming moments but feels uneven overall.
In a queenly performance of poise and mystique, Angelina Jolie plays Callas with an ethereal presence.
“Our Little Secret” is a fun, mostly family friendly Christmas screwball comedy with Lohan working in the comedic mode she does best.
“The Agency” owes a great debt to John Le Carre. This is a compliment.