Sterlin Harjo Aims High, Does Not Miss with FX’s “The Lowdown”
For all its humor, “The Lowdown” never sacrifices its darkness.
For all its humor, “The Lowdown” never sacrifices its darkness.
Amid its shaky narrative and the devil’s row of characters and dynamics, there’s something light and infectious about “Tulsa King”‘s particular way of being.
Problem is, you gotta care about the characters and the conflicts, and this miniseries just doesn’t cut it.
It’s only a matter of time before the whole thing comes crashing down in a heap of self-important nonsense.
While some may not enjoy this shift in tone, it helps the series grow into one that may eventually surpass “The Boys.”
It’s all very presentational and Brechtian, and the nonstop pace leaves you breathless.
If the series maintains its form, discovering who wins, who bends, and whether love plays a factor will make this a storm well worth getting caught up in.
If you’re of the camp that “OMITB” has worn out its welcome, the fifth season won’t dissuade you from that stance.
“The Girlfriend” is, at the end, escapist trash. But it’s glossy and richly satisfying trash.
A perfectly acceptable bio-documentary filled with entertaining clips and beloved entertainers telling heartwarming stories.
A smart, breezy, goodnatured sitcom, and something of a love letter to the noblest aspects of the profession.
Despite Part Two trying a sort of hard reset, “Wednesday” still struggles to feel cohesive.
A reminder of how well HBO can do this kind of thing when a perfectly cast ensemble is invigorated by the craft and the writing around them.
These actors are heavy-hitters and they give this rather light caper some real weight.
“The Terminal List: Dark Wolf” consistently brings the action and the boom factor, big time.
A tribute through comedic storytelling to a family that may not be your own but that isn’t all that far off either.