Union
One of the film’s great strengths is its ability to surface the multiplicity of tensions between organizers working toward a shared cause.
One of the film’s great strengths is its ability to surface the multiplicity of tensions between organizers working toward a shared cause.
Links to our reviews of the six films playing at CIFF this year in a retrospective tribute to the masterful Hirokazu Kore-eda.
A preview of the 2024 Chicago International Film Festival and links to our coverage of the many films playing there that we’ve reviewed.
“Blitz” is a jaw-dropping historical drama that’s intensely driven by its characters’ stories. There is always a sense of dread in the air, thick as a London fog.
“We Live in Time” is a film that looks you in the eyes as it tugs on your heartstrings.
Through it all, the performers hold their heads above water, but “The Apprentice” feels like it ultimately lands on “There’s no explanation for this guy beyond greed and capitalism,” and that feels shallow and easy to say the least.
Aside from its breathtaking underwater cinematography, Kim’s documentary is very plain in execution.
By now, the strengths and weaknesses of this series have been pretty well-established: clever concepts, inconsistent execution.
A dispatch on three very different films from the New York Film Festival.
A preview of this year’s NYFF, centering two of the biggest cinematic events of the year.
A final dispatch from Fantastic Fest on three good genre offerings.
On three restorations from this year’s Fantastic Fest, including Tarsem’s masterpiece.
A film that’s wildly entertaining but also has a great deal on its mind about how far we should be willing to go to balance the scales.
A movie that constantly puts its themes in its performers’ mouths instead of letting them play actual characters and trusting us to meet the film halfway.
Our coverage from the best genre fest in the world.
A breakdown of where we are in the 2024 awards race – one that, as of now, has few clear frontrunners.