Cannes 2026: I See Buildings Fall Like Lightning, Diary of a Chambermaid, La Perra
On three standouts from this year’s Director’s Fortnight.
On three standouts from this year’s Director’s Fortnight.
On three of Marya E. Gates’ favorite films to come out of the fest.
On three more films in competition at this year’s Cannes.
“I Love Boosters” is a wickedly clever skewering of the moral rot at the center of the fashion industry delivered with enough vision to make your eyes hurt.
On two Spanish melodramas from this year’s Cannes, including one of the best of the fest.
On three pictures that highlighted Cannes Critics’ Week sidebar.
Jason Gorber reflects on his time at the fest so far.
Ira Sachs and Rami Malek come to Cannes.
A first of two dispatches on this year’s animated offerings at Cannes, including an excellent new film from a Pixar vet.
On new films from major directors, including a potential candidate for this year’s Palme d’Or.
On two from Cannes Competition, featuring world-famous actresses.
A movie that challenges viewers with a question that seems harder to answer than it should: Would you protect the rights of someone with whom you fundamentally disagreed?
Our Managing Editor on three hotly-discussed films at the fest, and a Cannes flashback.
On two powerful Queer films from Cannes by actors-turned-directors, including the fest breakout hit just bought by A24.
Longtime correspondent Ben Kenigsberg discusses the latest from two Cannes-favorite auteurs.
This year’s Ebert Fellows attended the True/False Film Festival, one of the most essential non-fiction cinema events of the year. Here are their reports.
The kids are not really alright in three dramas from Cannes, two of which are worth seeking out.
In this video dispatch, Scott Dummler interviews correspondent Zachary Lee about some of his highlights from the fest, from “Karma” to a restoration screening of Ken Russell’s “The Devils.”
On two very different Cannes offerings, including one by Steven Soderbergh.