A Great Movie Year Deserved a Better Oscars
Despite some flashes of inspiration, protest and pizzazz, the 96th Academy Awards were too routine to capture the spirit of 2023’s brilliant films and the uncertain world outside the multiplex.
Despite some flashes of inspiration, protest and pizzazz, the 96th Academy Awards were too routine to capture the spirit of 2023’s brilliant films and the uncertain world outside the multiplex.
On three world premieres from SXSW this year, including new films by Pamela Adlon and Kyle Mooney.
A recap of one of the essential documentary film festivals of the year.
On three docs from this year’s True/False.
On three films from this year’s True/False Film Festival.
A report on the state of the Costume Designer industry, including winners from the recent awards and comments from Poor Things’ Holly Waddingham.
Our expert’s picks for this year’s winners.
Poor Things would be achievement enough. But between that, The Curse and her recent appearance on Saturday Night Live, the actor-producer is operating on a different level than everyone else.
A compilation of articles spotlighting memorable screenings at Ebertfest over the years.
An awesome horror film festival is about to start in NYC.
From Raging Bull to Killers of the Flower Moon, we salute a murderers’ row of award-worthy films.
An article announcing the lineup for the 25th Anniversary of the Ebertfest Film Festival 2024.
A preview of the biggest event of the year for French film fans.
An article about the 2nd Annual CU International Film Festival, which will be held on Saturday, March 2nd.
Three films from the Main Competition and Panorama section of Berlin.
On three films from Berlinale, including the first film from Abderrahmane Sissako since “Timbuktu.”
On three films from Berlinale, including the latest installment in The Roundup franchise.
Martin Scorsese, who received an honorary Golden Bear, pays tribute to the Archers in a new documentary.
A dispatch from Berlin on three films from around the world, including the latest from the masterful Tsai Ming-liang.
On three films from Berlinale, including Mati Diop’s first work since Atlantics.