If We Picked the Winners 2014: Best Supporting Actor
Omer M. Mozaffer champions Barkhad Abdi for Best Supporting Actor of 2013.
Omer M. Mozaffer champions Barkhad Abdi for Best Supporting Actor of 2013.
Glenn Kenny champions Lupita Nyong’o for Best Supporting Actress of 2013.
Three films at the Sundance Film Festival explored the power of making the camera see from the perspective of someone in the film.
Peter Bart has set up a straw-man argument about critics, Academy voters and “entertainment value.” Erik Childress takes it apart.
The Producers Guild, the Writers Guild and the Directors Guild have all weighed in. How good are they as predictors of the Oscars?
Director Alex Ross Perry (“Impolex”, “The Color Wheel”) discusses cinephilia, cynicism, artistic betrayal and the death of film.
Eirk Childress looks at the track record of films from the Sundance Film Festival going to the Oscars.
Sam Fragoso ranks all 22 films he saw at the 2014 Sundance Film Festival.
Simon Abrams ranks the films he saw at the 2014 Sundance Film Festival, from best to worst.
Sam Fragoso on two films at the Sundance Film Festival.
Sam Fragoso seeks out comedy on his last day at Sundance.
Simon Abrams on two sequels: “The Trip to Italy”, the sequel to the hilarious “The Trip”, and “The Raid 2”.
Links to all our coverage of the 2014 Sundance Film Festival.
Different as these two features may be, “Listen Up Philip” and “The Better Angels” both manage to respectfully pay homage without stripping themselves of their own voices.
Simon Abrams loves “20,000 Days on Earth”, a biographical doc about Australian musician Nick Cave as he wants to be seen.
“Imperial Dreams” paints a harrowingly acute picture of life in Watts where the only pertinent question is whether you’ll be killed before you’re incarcerated or vice versa.
Simon Abrams goes from gory horror comedy to to earnest dramas about love, growing up and spirituality. Who says Sundance films are all the same?
Chaz Ebert sat down with Sam Fragoso to talk about the premiere of “Life Itself” at the Sundance Film Festival
Sam Fragoso talks to Lynn Shelton about improvisation, her first time directing a script written by someone else
The Sundance premiere of the Roger Ebert documentary “Life Itself” was a cathartic experience for filmmakers, subjects and viewers alike.