
Bright Wall/Dark Room September 2018: For Love or Money by Kellie Herson
An essay about “Goodfellas,” as excerpted from the latest issue of the online magazine, Bright Wall/Dark Room.
An essay about “Goodfellas,” as excerpted from the latest issue of the online magazine, Bright Wall/Dark Room.
Burt Reynolds’ mix of deep talent and light-footed charisma was unique.
Not only would Idris Elba make a great James Bond, the franchise has been building towards casting an actor of color anyway.
Something more cerebral and starkly feminist is at play within this unconventional horror story.
An interview with Keith Hoogland, president of Family Video, about the fortieth anniversary of his rental chain.
An interview with the director of Mr. Death, and a presentation of the short film.
Bill Morrison’s graphic novel based on the movie comes out this week, from Titan Comics.
Miranda Harcourt on “The Changeover”; Elvis makes a comeback; Edward James Olmos on “The Ballad of Gregorio Cortez”; In memory of John McCain; Patricia Clarkson on “Sharp Objects.”
A special edition of Thumbnails chronicling the success of “Crazy Rich Asians” and the current state of representation in Hollywood.
An article about TCM and the African-American Film Critics’ Association’s (AAFCA) month-long programming initiative, The Black Experience on Film.
A video interview with Spike Lee and John David Washington about their film, “BlacKkKlansman.”
A friend in Aretha; ‘Cielo’ provides spiritual awareness; Trial runs for fascism in full flow; Soderbergh on the studio system; 95-year-old WWII veteran pens book.
Austin Pendleton and Ann Whitney on “Calumet”; Keeping up with Hugh Grant; Score-only version of “The Last Jedi”; David and Lauren Hogg’s new book; Problem with seeking the best for your kids.
A deep dive into the acting career of Glenn Close, celebrating a performer who gets more out of stillness than almost any other actor.
An essay about Alien 3, as excerpted from the latest edition of the online magazine Bright Wall/Dark Room.
A collection of all of Roger Ebert’s reviews of Spike Lee’s films.
A piece about the addition of Best Popular Film to the Oscars.