Creed II falls victim to the sins of sequelitis—it’s bigger, louder and more grandiose than its predecessor—yet manages to right itself by not losing focus…
While the original Harry Potter saga achieved a magnificent balance between the heart-pounding and the thought-provoking, the Fantastic Beasts spin-off universe still struggles to find…
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
A wish list in honor of my birthday. #birthdaywishlist
An article about the 41st Mill Valley Film Festival honoring USC Annenberg associate professor Stacy L. Smith and devoting 45% of its lineup to films…
Nostalgic but not sentimental, Jonah Hill's directorial debut is a hard-edged drama, made in the style of films from the era it depicts.
A short film by RogerEbert.com contributor Sam Fragoso.
The first episode of TNT's “I Am the Night” made its world premiere at AFI FEST on Friday afternoon at the Egyptian Theatre in Hollywood.
One of our Far Flung Correspondents talks about why the election of Jair Bolsonaro would be a disaster for Brazil.
An interview with the directors of Ralph Breaks the Internet about the animated sequel, bringing the Disney princesses back together and more.
A report from last week's 21st Indie Memphis Film Festival, which included new and old favorites.
Drop Zone (1994)
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Jessie Crossman
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
