Mamma Mia! Here We Go Again
For all its frantic energy, it manages to go absolutely nowhere.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of the return of "Prison Break."
A piece on how CW's "The Flash" takes a subversive edge to modern portrayals of superhero masculinity.
For better and worse, "Stoker," South Korean director Chan-wook Park's first film with an all English-speaking cast, is very much Park's baby. Park ("Sympathy for Mr. Vengeance," "Thirst") is most well-known for directing "Oldboy." In that now-famously bloody, operatic revenge drama, and most of his other films, Park takes great pains to steep viewers in his protagonists' subjective worlds. Perspective is accordingly a prison in "Stoker," a soapy Southern Gothic-style coming of age story with an Alice in Wonderland fetish.