Strickland frequently tests viewers’ patience, but his off-putting sensibility is powerful enough to make In Fabric as mesmerizing as its subject: salesmanship as a sinister,…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The latest on Blu-ray and DVD, including Lady Bird, The Disaster Artist, The Shape of Water, Justice League, I Tonya, and Thor: Ragnarok.
Looking back at "Donnie Darko" on the occasion of its 15th anniversary.
Q. In "Panic Room," viewers are treated to another of those Hollywood creative moments: Jodie Foster on the toilet peeing. The camera pans tactfully away, leaving us with just the tinkle. My question: Did they use a bladder double? (Neil Ferguson, Tempe AZ)
Q. It's said no one ever went broke underestimating the intelligence of the American public. "Harry Potter and the Philosopher's Stone" is an excellent film up here in Canada, as was "The Madness of George III." I wonder if the same can be said for the U.S. releases "Harry Potter And The Sorcerer's Stone" and "The Madness Of King George." The point of course, is that these minor title details were changed for American audiences on the assumption they are too stupid to handle the concept of the philosopher's stone of alchemical fame, or to realize seeing George III doesn't mean you've missed parts I and II. Are these decisions made because the suits think I'm really dumb, or is it because they are? (Brady Sylvester, Red Deer, Alberta)
I have seen the future of the cinema, and it is not digital. No matter what you've read, the movie theater of the future will not use digital video projectors, and it will not beam the signal down from satellites. It will use film, and the film will be right there in the theater with you.
Q. The Answer Man tweaked the silly title "I Still Know What You Did Last Summer." When it comes to stupid sequel names, personally I find it impossible to outdo "The Neverending Story II." (Michael Jennings, Sydney, Australia)
Q. Why don't more movies offer us "credit cookies" over the closing credits to munch on? Out-takes, party scenes, blown dialog, scenery, something! They have a choice between blackness and something; why not use the more entertaining something? (Steven D. Souza, Honolulu)