Mamma Mia! Here We Go Again
For all its frantic energy, it manages to go absolutely nowhere.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An essay on David Cronenberg's "The Brood."
"Vertigo" is an obvious inspiration for "Phoenix," but there are other films and books that the film brings to mind.
Glenn Kenny highlights the picks of Blu-ray releases for the month of November
You might say horror movies are the mutant black sheep of the cinema. Some film devotees deem them too ungainly and disreputable to be taken seriously, as if they were deformed, illegitimate stepchildren who should be quietly locked up in the attic and not talked about. And yet... and yet... I suppose you can dislike (if not quite dismiss) entire sub-genres -- Hollywood musicals, maybe, or biblical epics -- but I don't see how you can seriously call yourself a film lover if you don't have some appreciation for horror movies. After all, they are so near the core appeal of the medium: Was there ever a genre better suited for shadowplay, unspooling in the dark before the collective (un-)consciousness of a crowd of spectators?
The Festival International du Film, held annually in Cannes, France, has become the world's most prestigious film festival—the spot on the beach where the newest films from the world's top directors compete for both publicity and awards.
LONDON - "Well, you've got to pay taxes one way or the other, so why not plow it back into the industry?" David Hemmings asked. "Actors can be big dollar-earners. That was the reason the Beatles were on the Queen's List, wasn't it? Because they were such a help in the balance of payments."
Terence Stamp materialized in the Pump Room dressed in the uniform of a British movie star: long hair, Mod suit, bit of mustache, and a guarded leer.