Creed II falls victim to the sins of sequelitis—it’s bigger, louder and more grandiose than its predecessor—yet manages to right itself by not losing focus…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An essay about James Ivory's "A Room with a View," as excerpted from the latest edition of the online magazine, Bright Wall/Dark Room.
The RogerEbert.com pick for Best Adapted Screenplay.
An interview with the legendary James Ivory about the re-release of Heat and Dust and the upcoming Call Me By Your Name.
Director James Ivory talks about his film adaptation of E.M. Forster's classic novel.
A reposting of Tina Hassannia's article from Movie Mezzanine, and the response it received from Peter Becker, president of the Criterion Collection.
“The White Countess” (2005) (producer)
LOS ANGELES -- A story about four broken-down gunfighters, told in a broken-down genre, walked away with the top honors here Monday night at the 65th annual Academy Awards.
Hollywood has been waiting a long time to give Clint Eastwood an Oscar, and my hunch is, the wait is over. Eastwood's "Unforgiven," an elegiac Western about a retired gunfighter who pulls himself together for one final campaign, will win the best picture award when the Academy of Motion Picture Arts and Sciences gathers on the night of Monday, March 29.
Ebert's Best Film Lists 1967 - present
TORONTO -- Shirley MacLaine hadn't made a film for almost five years, not since she won the Oscar for "Terms of Endearment," and so when the role of the old piano teacher came along, maybe her first thought was to take a pass. She would have to play old and look old, and be just as stubborn at the end of the movie as she was at the beginning. Was this trip necessary?