Can You Ever Forgive Me?
Can You Ever Forgive Me? comes from a place of understanding and love that few other biopics do, and it makes this difficult character a…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A conversation between the writers at RogerEbert.com about monkeys in cinema.
Camille Paglia is known for being both brilliant and wacky (possibly wacko) -- often at the same time, which is probably when she's at her most inspired. A founding contributor at Salon.com (and co-star of "It's Pat: The Movie"), Paglia spoke on the phone to Salon editor Kerry Lauerman yesterday after the news of Elizabeth Taylor's death, and offered up an extraordinary tribute. I just wanted to share some of it with you. Lauerman begins by quoting something Paglia wrote about Taylor in Penthouse in 1992:
"She wields the sexual power that feminism cannot explain and has tried to destroy. Through stars like Taylor, we sense the world-disordering impact of legendary women like Delilah, Salome, and Helen of Troy. Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary cliche. But the femme fatale expresses women's ancient and eternal control of the sexual realm." Paglia takes it from there:
Exactly. At that time, you have to realize, Elizabeth Taylor was still being underestimated as an actress. No one took her seriously -- she would even make jokes about it in public. And when I wrote that piece, Meryl Streep was constantly being touted as the greatest actress who ever lived. I was in total revolt against that and launched this protest because I think that Elizabeth Taylor is actually a greater actress than Meryl Streep, despite Streep's command of a certain kind of technical skill. [...]
Marie writes: I love cinematography and worship at its altar; a great shot akin to a picture worth a thousand words. The best filmmakers know how to marry words and images. And as the industry gears up for the Golden Globes and then the Oscars, and the publicity machine starts to roll in earnest, covering the Earth with a daily blanket of freshly pressed hype, I find myself reaching past it and backwards to those who set the bar, and showed us what can be accomplished and achieved with light and a camera...
Cinematography by Robert Krasker - The Third Man (1949) (click to enlarge images)
Tony Curtis and Janet Leigh at a Charity party in 1957 with Frank Sinatra and his then-wife, Ava Gardner. (click to enlarge) Marie writes: the best celebrity photos are invariably candid shots. :-)
The Grand Poobah writes: I saw this stag in the Michigan woods near our country place, where I am still working on my memoir. (click to enlarge)
Q: I had to laugh at elements of your review of "Friday Night Lights." You wrote: "Certainly there are countless citizens in that Texas town who lead happy and productive lives and are fulfilled without depending on high school football." Obviously you've never lived in Texas. I've lived here for five years now and I can attest that in a small town like Odessa, high school football IS everything. You mention that the Odessa stadium is "larger than those at many colleges." True. Our high school north of Austin recently completed a $20 million, 11,000-seat capacity stadium complete with AstroPlay synthetic turf and a Daktronics Prostar scoreboard. In Texas, the school funding debate rages on like it does everywhere, but they can't let the kids play on a shabby field, can they? Doug Matheson, Austin, Texas
PARK CITY, Utah -- You can't take food or drinks into the Eccles Center here at the Sundance Film Festival, so you stand in the lobby, gobbling sandwiches from the little refreshment stand. I had my mouth full of roast beef on French bread with some kind of horseradish cream sauce, when a beautiful woman smiled at me.