With its single setting and real-time story, The Guilty is a brilliant genre exercise, a cinematic study in tension, sound design, and how to make…
Do you know the biggest sin of the new Halloween? It’s just not scary. And that’s one thing you could never say about the original.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
A wish list in honor of my birthday. #birthdaywishlist
An article about the 41st Mill Valley Film Festival honoring USC Annenberg associate professor Stacy L. Smith and devoting 45% of its lineup to films…
The glorious, frizzy-haired, big-bearded '70s welcome Striesand and Kristofferson into the pantheon.
From a bestselling work of young adult fiction comes a political melodrama made with a theatrical audience in mind.
Jana Monji reports on the different speakers and conversations at last Thursday's Women in Entertainment summit.
Far Flung Correspondent Seongyong Cho revisits John Carpenter's classic Halloween.
An interview with actor and producer Gerard Butler about the submarine thriller and passion project, Hunter Killer.
What if James Dean lived into the ‘60s and worked primarily with French New Wave directors?
The Woman Who Left (2017)
—
Rodrigo Trinidad
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
