Don't Worry, He Won't Get Far on Foot
Van Sant the screenwriter does a disservice to the material by constantly chopping up narrative strands into bite-size chunks and later circling back to key…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A report from AFI Fest on a presentation of Otto Preminger's "Carmen Jones."
Marie writes: this past Monday, the Chicago Sun Times updated "Movable Type" - a program used to create blogs. Roger's journal for example. Other newspapers might use "Word Press" instead; same idea though. Any-hoo, it's hosted on the "new" server at the Sun-Times and as is customary, you have to login to use it. It's online software. Meaning you're totally at the mercy of any freakiness that might be going on.I mention this because there was indeed some weirdness earlier (server choked) and that, plus the fact Movable Type does things differently now, put me behind schedule. So I don't really have anything for the front page. I can go look, though! Meanwhile, just continue reading and if I find anything interesting, I'll let you know....Ooo, clams...
Q. Your Answer Man item about the availability of Pauline Kael's criticism reminded me that I hadn't brought you up to date about our looking into a reprint of Going Steady. Our paperback editor checked out the situation regarding her work, and it appears that the small British firm of Marian Boyars Publishers Ltd. now has rights to most of her titles. Just talked with our paperback editor, and she confirmed that Little, Brown (the original publisher of Going Steady) had directed her to Kael's literary agency in England, Curtis Brown Ltd, since rights had reverted to Kael in 1988.
TORONTO -- Canada Every year at the Toronto Film Festival we gather, the friends of George Christy, to have lunch in the Four Seasons Hotel. This is a tradition going back so far that no one except George remembers how it started, or what it represents. Christy, who writes the "Good Life" column for the Hollywood Reporter, invites some 70 of the chosen to a private dining room, where we eat chicken pot pie and gossip among ourselves.