Lester
Lester Movie Reviews
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Blog Posts That Mention Lester
Peter Cook and Dudley Moore in Richard Lester’s “The Bed-Sitting Room”
Interview with Mark Lester
“Only Murders in the Building” Tackles Changing World by Staying the Same
Venice Film Festival 2025: Broken English, The Wizard of the Kremlin, No Other Choice, In the Hand of Dante
Final Volume of “The Sandman” Solidifies Its Legacy In the Growing Realm of Fantasy Television
One of Us: Malcolm-Jamal Warner (1970-2025)
Netflix’s “The Sandman” Finally Shoots For The Stars With Volume 1 of Final Season
“Suits: LA” Is Dumb, Glossy Nothingness
Home Entertainment Guide: April 2024
A Farewell from Our Literary Editor, Matt Fagerholm
He Did It All: William Friedkin (1935-2023)
A Piece of His Fire: Harry Belafonte (1927-2023)
Hello Tomorrow! Offers Creative Vision of an Alternate Reality
Netflix’s Dull CIA Series The Recruit is More Like Paperwork
New Combat Landscape is Examined in Inconsistent The Undeclared War
Home Entertainment Guide: April 2022
He Was Always Nice to Me: Gilbert Gottfried (1955-2022)
Home Entertainment Guide: January 2022
Bright Wall/Dark Room September 2021: It’s All Happening by Ethan Warren
Richard Donner: 1930-2021
Meet the Writers of Black Writers Week 2021
Profiles in Courage: Kahil El’Zabar
Breaking In: On the 40th Anniversary of Tangerine Dream’s Thief Score
Home Entertainment Guide: November 2020
Bonded and Unbound: Sean Connery, 1930-2020
Jerry Stiller: 1927-2020
The Unloved, Part 76: Juggernaut
Martin Scorsese’s Dangerous Men: On the Actors of The Irishman
20 Years of Steven Soderbergh’s The Limey
After Yesterday: A Beatles Film Festival
90 Minutes On: “A Star is Born” (2018)
Richard Dreyfuss and Deborah Kolar, Daughter of Robert Shaw, on Jaws
Born This Way: Why 1954’s A Star Is Born Is Still The Best
Nicolas Roeg, 1928-2018
AFI FEST 2018: Mary Queen of Scots
Thumbnails 10/13/17
2017 Gracie Award Winners to Be Honored on June 6th
Confusion and carnage: an interview with film critic Adam Nayman about the films of Ben Wheatley
“Life Itself” Wins Emmy
World-Class Acting: On Joan Crawford and “Sudden Fear”
HBO’s Ambitious “Vinyl” Takes Its Time
The Best Performances of Sundance 2016
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
45 Years and More with Charlotte Rampling
30 Minutes on: “Commando”
FX’s “Fargo” Maintains High Quality in Second Chapter
Bright Wall/Dark Room September 2015: “Living In The Sprawl: Superbad’s Coming-of-Age in the Suburban Void” by Charles Bramesco
The Act of Not Having An Act: Cameron Crowe’s Ambivalent Humanism
History of Hatred Documented in “Klansville, U.S.A.”
Blu-ray: The Year in Review, OR Blu-ray Holiday Gift Guide: A “Choose Your Own Adventure” Deciders Feature
Thumbnails 9/25/14
It’s Gonna Feel All Right: The Musical and Cinematic Legacy of “A Hard Day’s Night”
Beatles Good!: The 50 Anniversary of “A Hard Day’s Night”
FX’s “Fargo” Has Creative Spark of Coen Classic
Blu-ray Consumer Guide: February 24, 2014
Stay, little Valentine: Philip Seymour Hoffman, 1967-2014
Philip Seymour Hoffman, 1967–2014
Selected writings on Philip Seymour Hoffman
Thumbnails 10/28/2013
“The Wes Anderson Collection,” Chapters 1-7, and “The Substance of Style”, Chapters 1-5
Cannes 1968: A video essay
Platform Announces Founding Member Event in Chicago
The odds are with the house
101 102 Movies You Must See Before…
50 greatest music films ever
Opening Shots: ‘Petulia’
TIFF 2007: Robert Zimmerman Bob Dylan Revisited
And the greatest art work of the 20th century is…
Opening Shots: ‘A Hard Day’s Night’
Close-Ups: A free-association dream sequence
Argo: A Hollywood ending
Poetry in motion — and it rhymes, too
Opening Shots: ‘Juggernaut’
Wes Anderson scavenger hunt: Truffaut, Welles, Peanuts…
The 100 Greatest Directors of… what?
’50 Lost Movie Classics’
Taking the Plunge
Sex, politics and dust-busting
Larry Sanders: Changing television and changing lives
Toronto #4: And the winner is…
