It’s a dancing elephant of a movie. It has a few decent moves, but you’d never call it light on its feet.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
American Splendor is an under-appreciated gem which deserves more attention.
A recap of the third day of Ebertfest.
A Look back at the origins of Ebertfest twenty years ago and a look forward to Ebertfest 2018.
An appreciation of David Letterman on his final day on the air.
Nell Minow interviews Shari Springer Berman and Robert Pulcini, the directors of the new drama "Girl Most Likely," starring Kristen Wiig.
Frank Cottrell Boyce's teleplay "God On Trial" plays on PBS at 8 p.m. CST Sunday, Nov. 9, and will repeat. It's based on the true story of Auschwitz prisoners weighing the case against God. I met Frank online in the 1980s in my old CompuServe forum. He was in his 20s. Now he has become a leading British screenwriter. His credits follow this piece. After reading my blog "Roger's little rule book," he sent this article that appeared in the Guardian on June 30, 2008.
Ebert's Best Film Lists 1967 - present
CANNES, France--In a stunning surprise, Gus Van Sant's "Elephant," a low-budget independent film inspired by the Columbine shootings, won both the Palme d'Or and the best director award here Sunday at the 56th Cannes Film Festival.
CANNES, France -- I have seen seven movies here since my last report, and together they will not gross as much as the popcorn sales for "The Matrix Reloaded" in one good-sized state--California, say. I moderated a panel of independent American directors Saturday, put together by the Independent Film Channel at the Variety Pavilion, and "The Matrix" loomed like a thundercloud over the table. As box office records were falling like so many clones of Agent Smith, here we were talking about retarded ice-fishermen in Wisconsin, and a Cleveland file clerk who inspired an underground comic book.
CANNES, France--Three conversations at Cannes:
CANNES, France--Where is the Cannes of the past? The Cannes of great joyous movies and silly starlets and larger-than-life characters and long, lazy lunches on the beach? How did it get replaced by this melancholy impostor, this festival of murder and nihilism and hopelessness?
PARK CITY, Utah--Now the buzz has taken over, and I am seeing mostly good, sometimes great, films. You open the Sundance catalog on the first day of the festival and choose your films for the first weekend, and after that you go where the buzz sends you, because audiences are always honest.