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Blinded by the Light

Blinded by the Light, at its very best, captures the experience of being a fan, the pure exhilaration of it, and the sense of your…

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Good Boys

There’s an honest heart beneath the racy laughs.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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'V' for vagaries

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Q. In your review of "V for Vendetta," you write: "There are ideas in this film. The most pointed is V's belief: 'People should not be afraid of their governments. Governments should be afraid of their people.' I am not sure V has it right; surely in the ideal, state governments and their people should exist happily together. Fear in either direction must lead to violence."

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Movie Answer Man (12/16/2001)

Q. I looked at the mysterious face in the funeral scene of "The Godfather" last night (Answer Man, Dec. 2), and I think I can explain it. Before Michael stands up, you can see a glare on the lens, but it is not discernible as a face because it is on a white background. When Michael shifts, so that his suit provides a dark contrast, the glare depicts the face of his mother, who in the scene immediately preceding is seated next to him. Presumably, the actors remained in place for the closeup shot of Michael (Coppola mentioned the shots were done in a hurry), and what we are seeing is a fluke of light, distortion, shadow, and lens peculiarity; the flared edge of the lens picks up the light from just out of the frame. (Mike Spearns, St. John's Newfoundland)

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