There isn’t an honest moment in all 96 minutes of Traffik.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with "Cult Movies" author Danny Peary.
A recap and guide to the most interesting Blu-rays of 2014.
Some tricky music rights issues finally got resolved, and so Jerzy Skolimowski's "Deep End" is back on the map, and with a recent run at Brooklyn's BAMcinématek under its belt to prove it. A legendary specter for years - lusted after but near-impossible to track down and watch - it now arrives as part of the adventurous BFI Flipside series in a lush DVD/Blu-ray edition that will have you gasping equally at Jane Asher's copper-red coiffure and John Moulder-Brown's baby blue eyes (the latter firmly fixed on the former throughout the movie).
Here goes. For the time being, I'm just going to offer up the answers to the Opening Shots Pop Quiz, without further elaboration or analysis in most cases -- because these shots are so great they deserve full Opening Shots treatments of their own. (And you, by the way, are welcome to provide them if you are so inclined!)
Filmgoers should be cheered by the news that an Australian film named "Sirens" is doing strong business at the nation's box offices. It is loosely inspired by the life and times of a colorful painter named Norman Lindsay, who shocked his country in the 1930s with an unconventional lifestyle that included large numbers of beautiful women who were his models, muses and, occasionally, lovers.