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Ebertfest 2018: Ten Things I Learned from Kogonada About Columbus

Ebertfest 2018, Day 3: Columbus, A Page of Madness, American Splendor

Sundance 2017: “Thoroughbred,” “Columbus”

Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey”

Chicago’s Own Filmspotting Podcast Celebrates 20 Years With Inaugural Festival

Movies to Watch if You Love Bad Bunny

The Rise of Fourth Cinema

Short Films in Focus: Fleshwork (with Director Lydia Cornett)

Expecto Patronum: Harry Potter and the Prisoner of Azkaban at 20

Ebertfest Film Festival Over the Years

Legacy Forever: Memories of Tony Bennett (1926-2023)

The Journey of a Black Film Critic: Breaking Barriers, Inspiring Change

Gremlins: Secrets of the Mogwai Reignites Beloved Property

Chicago Critics Film Festival 2023 Preview: Chicago Premieres of Acclaimed Films from Around the World

Little America Returns For More Heartwarming Stories In Its Second Season

Christy Lemire’s Overlooked Films of 2022

Book Excerpt: Talk ’90s with Me by Matt Pais

Embodiments of Time: Kogonada on After Yang

Sundance 2022: Free Chol Soo Lee, The Exiles, The Princess

Why the Film Passing Stirs The Imagination

Book Excerpt: Fun City Cinema: New York City and the Movies That Made It by Jason Bailey

Cannes 2021: The Souvenir Part II, After Yang, Ahed’s Knee, Lingui

A Look Back at Tribeca 2021: The Narrative Features

The Cruelest Month, Part 3: Sorry-Grateful

Our Writers Highlight Articles to Enjoy on our Newly Redesigned RogerEbert.com: Part I

Happy Place Part IV: Breathing, Moving and Grooving

The Individual Top Tens of the Decade

HBO’s His Dark Materials Adaptation Offers a World Worth Exploring

What to Watch for Indigenous Peoples’ Day

Ebert Symposium 2019 Preview: Diversity in Journalism, National Hispanic Heritage Month Panels

Dr. Stacy L. Smith Will Be the Keynote Speaker at the Second Annual Ebert Symposium, Creating an Inclusive Cinema and Media Ecosystem

Women Writers Week 2019: Table of Contents

A Look Back at Those We Lost in 2018

Happy New Year from All of Us at RogerEbert.com

30 Minutes on: “Searching”

KVIFF 2018: Crystal Swan, Moments and Richard Linklater

Philip Roth: 1933-2018

Thumbnails 5/22/18

2018 Chicago Critics Film Festival Preview

Ebertfest 2018: Table of Contents

Ebertfest 2018: A Photo Journal

Ebertfest 2018 Guests: Part I

Dear Roger: I Can’t Believe Our Film Festival is Twenty Years Old!

Leonard Doyle (1928-2018): Longtime Ebertfest Greeter at Virginia Theatre

Video Q&A with Ahmad Kiarostami

The Best Performances of the 2018 Sundance Film Festival

20 Films We Can’t Wait to See at Sundance 2018

Bright Wall/Dark Room January 2018: An Architecture of Silence and Love by Nathan Knapp

The Individual Top Tens of 2017

“Call Me By Your Name” Leads Chicago Film Critics Nominations

“Call Me by Your Name,” “Get Out” and “Good Time” Lead Spirit Award Nominees

The Lies of the Deathbed Scene (and Also the Truth)

CIFF 2017: Films We’ve Seen at Previous Fests

A Right to Tell Their Stories: Eliza Hittman on “Beach Rats”

BAMcinemaFest 2017: “En el Séptimo Dia,” “Princess Cyd”

Home Entertainment Consumer Guide: May 25, 2017

2017 Chicago Critics Film Festival Preview

Adventures in Cuba

The Ebert Fellows on Sundance 2017

Sundance 2017: “Lemon,” “Menashe”

Sundance 2017: Table of Contents

Sundance 2017 Announces Competition Titles

Congratulations AWFJ on Your 10th Anniversary and Wonder Women Project

“La Lupa”: A Celebration of Anna Magnani

Harper Lee: 1926-2016

Going Home For the First Time: A Return to Cuba

Of Rats and Men: “Black Mass” vs. “The Departed”

Silent Film “Body and Soul” to Screen in Chicago

Who’s Who In Reviews: Brian Tallerico

Three-Star Reviews of 2015

2015 Summer Movie Preview: A Four-Month, Blockbuster Festival

Smart People Talking: The 25th Anniversary of “The Hunt For Red October”

Where to Find ‘Life Itself’ in Theaters and VOD

Exploring Israel-Palestine through Movies, Part 3: Pro-Israeli Narratives

Where To See Life Itself: Theaters, VOD and iTunes

Where You Can See “Life Itself”

The Twelve Scenes of Christmas: Numbers 8 to 5

Thumbnails 9/4/2013

Thumbnails 7/2/2013

The agonizing bite of “Wit”

On not doing the right thing

I took my son to “A Christmas Carol,” and…

Mexico versus Catholicism

Plowing Field’s won’t grow business

Ebert’s Most Hated

The “gay” Dilemma: If it’s a joke, what does it mean?

Opening Shots: ‘Beware of a Holy Whore’

Pearl of the South: A tale of two reviews

The death of film criticism has been greatly exaggerated, Part I

The Seoul of a New Movie Machine: Dude, you gotta see it in 4-D!

Gerardo Valero of Mexico City discusses “The Godfather: Part III”

Symbols more real than reality

Vincent P. Falk and His Amazing Technicolor Dream Coats

Trying to get a word in edgewise

In the meadow, we can pan a snowman

Roger’s little rule book

Complete list of Academy Award nominations
