Brahms: The Boy II
It’s just a film that’s as blank as Brahms’ expression.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An ode to Sam Raimi's A Simple Plan on its 20th anniversary.
Sometimes ordinary people becoming evil are more frightening than Dr. Hannibal Lector or Frank Booth. Villains like them are downright scary, but they are basically outsiders with a monstrous nature beyond our common sense. In contrast, the characters in Sam Raimi's crime thriller "A Simple Plan" (1998) are nice, ordinary people we can identify with, at least in the beginning. We can recognize their human wishes, desires, and motives. We can understand why they are driven into the plot while it's getting bloodier and more complicated. As a result, it is frightening to observe them doing horrible things, and one question immediately pops up in our minds - what would I do if I were in their circumstance?
Ebert's Best Film Lists1967 - present
LOS ANGELES Bill Paxton has an Oscar contender and a giant gorilla movie coming out within a couple of weeks of each other, and that's the story of his career. He makes little movies ("One False Move," "Traveller," "Trespass") and big ones ("True Lies," "Apollo 13," "Twister"). In the big ones, he is a stalwart leading man - like his hero, the fellow Texan Ben Johnson, whose every word sounded like the simple truth. In the little ones, Paxton plays regular guys who get twisted into strange traps of crime and guilt.