Bombshell is both light on its feet and a punch in the gut.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A compilation of some of Roger's reviews, celebrating the work of Hispanic filmmakers.
An article about MoMA's To Save and Project Restoration Festival and its January 18th screening of "Cane River."
The latest on Blu-ray, DVD, and Netflix, including Heart of a Dog, Southside with You, Florence Foster Jenkins, and many more!
Roger's Favorites: directors Guillermo del Toro, Alfonso Cuarón and Alejandro González Iñárritu.
CANNES, France -- By the time I walked into my hotel after the Cannes Film Festival award ceremony Sunday night, the verdict was already in. Scandale! cried the desk clerks in unison, summarizing the television coverage. Cannes was reeling after a list of winners so unexpected and generally unpopular that the TV commentators were rolling their eyes. The instant verdict was that jury president David Cronenberg, the unorthodox Canadian director, had led his jury into the hinterlands of cinema and camped there.
CANNES, France -- One year I arrived in Cannes a little early, two days before the festival was scheduled to begin, and watched the waiters on the famous terrace of the Carlton Hotel as they loaded the good furniture into trucks and unloaded the weather-beaten rattan that I had come to know and love.
TORONTO -- The program for the Toronto Film Festival falls with the thud of the Yellow Pages. This year, more than 300 films from 53 countries will be shown at the largest and most important film festival in North America, which opened Thursday, and as usual, the crowds will be lining up for everything - literally everything. If your movie can't fill a theater at this festival, you might as well cut it up and use it to floss with.
PARK CITY, Utah -- "Sunday," the story of a homeless man who is mistaken for a movie director by a failing British actress who courts him for a day, won the Sundance Film Festival and the Waldo Salt screenwriting award.
It is 2 a.m. in the disco on board the Holland-America cruise ship Ryndam, and Richard Corliss, the film critic of Time magazine, is onstage during the traditional karoke night of the 4th Almost Annual Floating Film Festival. To the tune of "Don't Be Cruel," he's singing his own lyrics, which involve recent developments in the Chinese cinema.