Q: The box-office returns for "The Golden Compass" last weekend were modest at best. The film is estimated to have cost more than $150 million and will have a hard time making its money back. The financial disappointment could be catastrophic for New Line Cinema. Not to mention the fact that any chance of an adaptation of The Subtle Knife and The Amber Spyglass (rest of the trilogy) are now slim to nil. Since you gave the film a positive review, what is your opinion of the box-office returns?
Matthew Modine was attending the Toronto Film Festival launch party for the U.S. edition of Norman Jewison’s autobiography, so the subject of his own memoirs came up. “I don’t know if that book will ever be written,” he said. “But I am publishing Full Metal Diary, which is the diary I kept when I was making Stanley Kubrick’s ‘Full Metal Jacket.’ That was so long ago that when I read it, it’s like the writings of a young actor who doesn’t have a whole lot to do with me. An actor writing journal entries on the set every day, just excited to be working with this great director on this film.”
In the Answer Man column for July 12, reader David J. Bondelevitch wrote: "I had to bite my tongue from laughing when Sam Neill's character showed up in Montana near the end of 'The Horse Whisperer.' I kept thinking he had fulfilled his dying plea from 'The Hunt for Red October.' After being shot, Sam Neill's dying words in 'Hunt' were (in a thick Russian accent): 'I would like to have seen Montana.' "
TORONTO -- There is no entry in the Random House Encyclopedia for "The Little Flower," but a Catholic hearing the name will immediately recognize it. Therese de Lisieux lived from 1873 to 1897, practiced great humility in her life, and became a saint almost by acclamation. She would probably be astonished that generations of Catholic girls venerate her as fervently as young Catholic boys these days venerate Michael Jordan.