Festivals & Awards
The 64th Festival de Cannes is winding down, and the signs are everywhere. The hand-laundry of festival-goers hangs from the shutters of the windows opposite my hotel (somebody is running out of clean clothes). The streets seem emptier in the early morning, and the area around the press mailboxes in the Palais is starting to have a vacant feeling.
Just five minutes before Sean Penn's scheduled arrival at the press conference to discuss Paolo Sorrentino's competition film "This Must Be the Place," the room still had dozens of empty seats. The number of photographers gathered expectantly in front of Penn's place at the table onstage was only a meager 23, unlike the mob for Brad Pitt just a few days earlier. It only meant that many journalists have already gone home or were playing hooky today.
Accompanied by the director and producers of "This Must Be the Place," and Irish actress Eve Hewson, Penn strolled in looking pleased with himself. He's deeply tanned and nonchalantly chewing gum, his hands stuffed in the front pockets of his jeans. He credits director Sorrentino with "a magic hand" in shaping his performance as an eccentric American rock star living in retirement in Ireland. About the film, Sorrentino said, "The idea of the story came from a Nazi criminal. I wanted to write a story about a 50-year-old rock star who remains a child, and have these two confront each other.