Cannes 2026: Clarissa, Atonement, Butterfly Jam
On three films from this year’s Director’s Fortnight, including two of the fest’s best so far.
On three films from this year’s Director’s Fortnight, including two of the fest’s best so far.
Two more from Cannes, including the latest from the director of “Drive My Car.”
On three restorations from this year’s Cannes, including the long-awaited uncut version of The Devils.
A remembrance of Michael Jackson’s impact on a fateful day for Chaz.
Robert Daniels breaks down his early faves from the fest, and we look back at a 2019 Cannes conversation between Chaz and Werner Herzog.
On two big early Cannes premieres: the latest from the directors of “Ida” and “A Separation.”
On two films, including the opener of this year’s competition for the Palme d’Or.
Hauser and Reilly shine in career-defining roles.
To enjoy “Nemesis” requires a hefty tolerance for cheese.
A video dispatch from Day One of the Cannes Film Festival.
Swoon-worthy, hot, and heated rom-com-drama that gives its story space to fully bloom just like its characters.
Observations from the stars and filmmakers of this year’s critics-led film festival.
Notes on the opening ceremony of Cannes 2026 and the official opening film.
Despite its flaws, this final installment still holds firm to the idea that love, in all its forms, is a radical act.
A preview of this year’s Cannes Film Festival!
Had my heart racing through action sequences and emotional revelations alike.
A tribute to the legendary TV magnate, who changed how we consumed movies and news forever.
Too content to deliver its themes and hit the character beats instead of trying to build atmosphere or tension.