Netflix’s “Receiver” Should Work for NFL Fans Despite a Predictable Playbook
Netflix is back for another NFL season pregame with another reality series about one of the toughest positions in sports.
Netflix is back for another NFL season pregame with another reality series about one of the toughest positions in sports.
It feels like the writers threw darts at a joke board and threw them in the script like Mad Libs.
Greg Kwedar and Monique Walton talk A24’s Sing Sing.
Paul Raci, Clarence Maclin, and Sean Johnson talk A24’s Sing Sing.
Three films playing at Karlovy Vary International Film Festival
A tribute to one of the best screenwriters of all time.
An interview with the Green Border director about her searing immigration drama.
A Quiet Place: Day One is the best of the series, in large part because its such a departure.
Thirty years after its release, this multi-platinum collection of classic rock and R&B feels like a relic—both of the musical period it celebrates and an era when people actually bought movie soundtracks.
A salute to the musicals, comedies, Marvel sequels and Spielberg films that have made the Independence Day movie season so special this century.
A look at three films from Karlovy Vary International Film Festival.
As “Fly Me to the Moon” opens in theaters, here are some of our other favorite films about NASA’s Apollo program and the first manned expeditions to the moon.
How the PG-13 rating changed American cinema for the worse.
The director of the acclaimed short talks about channeling everyday anxiety.
A tribute to the acclaimed comedian, musician, and actor, best known for Clue and Arrested Development.
The three previous movies the Oscar-winner directed suggest a filmmaker whose unabashed earnestness is his greatest weakness and secret superpower.
An interview with the director of the new Western saga, Horizon.
The Unloved closes out a chapter on Sean Connery gems with Russell Mulcahy’s ambitious sequel to Highlander.
A tribute to the veteran character actor, who died Wednesday.
The controversial French filmmaker’s Last Summer depicts a steamy affair between a middle-aged woman and her husband’s 17-year-old son from a previous marriage. She explains why she’s not a provocateur—and why she doesn’t need an intimacy coordinator.