Dreams of Africa: The Fantasy Politics of Black Panther
A rare superhero fantasy that’s plugged into the real world, but that still can’t be all things to all viewers.
A rare superhero fantasy that’s plugged into the real world, but that still can’t be all things to all viewers.
A report from Berlin on three new films from international auteurs.
Difficult is a gendered term fueled by the Hollywood machine and maintained by the belief that actresses aren’t responsible for the achievement of their films.
An article about the wide-ranging efforts to arrange free screenings for students and young people to see the groundbreaking “Black Panther.”
The latest on Blu-ray and DVD, including Wonder, Only the Brave, Roman J. Israel, The Ballad of Lefty Brown, and Walking Out.
A review of the newest Netflix series, a teen dramedy called “Everything Sucks!”
Ruth Carter talks on how she designed the costumes for Marvel’s “Black Panther.”
A video essay on black voices at the Sundance Film Festival.
An interview with Chicago filmmaker Michael Glover Smith.
Highlights from the 2018 Oxford Film Festival.
A look at the use of music in the Star Trek series and how the season finale of Discovery recalled its legacy.
Perhaps Eastwood isn’t just interrogating heroism, he’s interrogating himself.
This month’s excerpt from online magazine Bright Wall/Dark Room is an essay by Paul Fischer about “A Streetcar Named Desire.”
There’s a fierce, pagan-like energy to this movie, and a fantastic precision to this young woman’s writing/directing talent.
The director and co-writer of “Black Panther” talks about making his historic Marvel film.
A history of Gary Oldman’s performances.
A Q&A recently held by Godfrey Cheshire with Ahmad Kiarostami about his father’s final film, “24 Frames.”
An in-depth look at the short films that have been nominated for an Oscar this year.