That Complicated Thing Called Love: On Pawel Pawlikowski’s Cold War
One of our foreign correspondents looks at Cold War.
Archives
Cannes 2019: The Lighthouse, Lux Aeterna
The Witch director Robert Eggers’ The Lighthouse is the first movie at Cannes 2019 that actually looks like a classic. Plus: Gaspar Noé’s mystery midnight movie, Lux Aeterna.
Cannes 2019: The Wild Goose Lake, Jeanne
On two more world premieres from Cannes 2019.
Cannes 2019: Too Old to Die Young, Zombi Child
In their new horror-tinged efforts, festival regulars Nicolas Winding Refn and Bertrand Bonello go down baffling roads.
Thumbnails Special Edition: Cannes 2019
A special edition of Thumbnails spotlighting coverage of the 2019 Cannes Film Festival.
Cannes 2019: Rocketman
Taron Egerton plays Elton John in a biopic that turns into a full camp extravaganza.
Cannes 2019: Bacurau, Atlantique, The Swallows of Kabul
A dispatch on three premieres from the Cannes Film Festival.
Cannes 2019 Video #2: The Dead Don’t Die & Gender Disparity
A video dispatch on the first full day of activities from Cannes 2019.
Cannes 2019: For Sama, Beanpole
For Sama is a stunning first-person documentary about the siege of Aleppo. Beanpole confirms Kantemir Balagov as a major talent.
Joanna Hogg on The Souvenir, Painting the Structure of a Film in Watercolors and More
An interview with writer/director Joanna Hogg about her new film, The Souvenir.
Phoebe Waller-Bridge’s Fleabag Returns with Achingly Funny Second Season
A review of season two of Fleabag, premiering on Amazon on May 17.
Christopher Abbott Shines in Hulu’s Messy Catch-22 Adaptation
A review of Hulu’s Catch-22, which premieres with all six episodes on Friday, May 17.
Cannes 2019: The Dead Don’t Die
A review of Jim Jarmusch’s new film with Bill Murray and Adam Driver.
Cannes 2019: Deerskin opens Directors’ Fortnight; Chloë Sevigny in The Dead Don’t Die
Quentin Dupieux’s absurdist comedy Deerskin opened Directors’ Fortnight. Chloë Sevigny adds balance to the deadpan humor of Jim Jarmusch’s The Dead Don’t Die.
Encouraging Greater Diversity in Cinema: Highlights of the Bentonville Film Festival
A look back at the 2019 Bentonville Film Festival, including Ophelia, Blinded by the Light and The Garden Left Behind.
Bright Wall/Dark Room May 2019: A Million Little Postcards from the Edge by Lindsey Romain
An essay by Lindsey Romain about Postcards from the Edge, as excerpted from the latest edition of online magazine Bright Wall/Dark Room.
