This is a movie of confrontations, of dreamlike moments dissolving into micro nightmares, but it is hardly a conventional battle of the sexes story.
So much began and changed with Toland's eye and his camera. This film is short but remarkably comprehensive. The sequence rehearsing the low-angle shot in "Citizen Kane" is invaluable, even though I knew by reading how it was done. This is one of the most useful seven minutes I've ever spent learning about cinematography.
Many thanks to Marie Haws for this video find.
Stop watching movies made by assholes. It'll be OK.
A look at the work of John Williams outside of his greatest hits.
The RogerEbert.com picks for the ten best films of 2017.
The lists of best films of 2017.