My Darling Clementine
Directed by
John Ford
John Ford Movie Reviews
My Darling Clementine
Blog Posts That Mention John Ford
Book Excerpt: Scout Tafoya’s But God Made Him a Poet: Watching John Ford in the 21st Century
Considering John Ford’s ‘Apology Western’ Sergeant Rutledge
Mark Harris Talks About His Book “Five Came Back” and the way World War II changed Frank Capra, John Ford, John Huston, George Stevens and William Wyler
John Ford at sea
Ebertfest 2025 Announces Full Schedule, With Guests Including Francis Ford Coppola, Susan Seidelman, Rosanna Arquette, and More
Remembering John Wayne
Interview with John Wayne (1969)
Interview with John Wayne (1968)
Was Natalie Wood really John Wayne’s daughter, or what?
Red Dead Redemption 2 Weaves History of Western Genre into Gaming Masterpiece
Young Debbie Edwards, Found: Lana Wood on “The Searchers”
Venice Film Festival 2016: Venice Classics Program Includes Restorations of “Stalker,” “Manhattan”
Claude Chabrol, RIP. The master at midpoint
The Duke on Rooster: “My first good part in 20 years”
Eyeless in Monument Valley
Rio Bravo: The superhero movie
All trails lead to ‘The Searchers’
Eyeless in Monument Valley, Part II
Coming to a bad end
The Marty Show
Gasp! Choke! As film criticism lay dying…
The Monument Valley: Music as film criticism
The 100 Most Acclaimed Movies of the 20th Century
You don’t dismiss the dean
The Return of the Autobiographical Dictionary of Film
On acting, authenticity and Robert De Niro
Old White Guy Lists
Opening Shots: ‘The Good, the Bad and the Ugly”
Lookin’s Free: Joe Don Baker (1936-2025)
Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration
Your Guide to Ebertfest 2025: Day 1, April 23rd
Book Excerpt: An Anthony Mann Reader by Scout Tafoya
Have a Great Day: David Lynch (1946-2025)
Seven Samurai Continues Its Ride Through Cinema’s Past and Future
Leaving A Mark Behind: Kevin Costner on Horizon: An American Saga – Chapter 1
A Shocking Loss: Dariush Mehrjui (1939-2023)
TIFF 2023: Memory, The Promised Land, Origin
Noir City Returns to the Music Box in Chicago
Roger Ebert on the Films of Christopher Nolan
Meet the Writers of Black Writers Week 2023
Black Writers Week 2023: Table of Contents
Cannes 2023: Close Your Eyes, plus Quentin Tarantino
A Piece of His Fire: Harry Belafonte (1927-2023)
The Rewards are Endless: Scott Ryan on His New Book, Lost Highway: The Fist of Love
Only Remember Beautiful Moments: Carlos Saura (1932-2023)
Ten Christmas Movies You Need to Add to Your Holiday Viewing List
Nell Minow’s Overlooked Films of 2022
I Wanna Be Free: Bob Rafelson (1933-2022)
Considering Easy To Get: World War II Army Training Films, Segregation, Black Uplift and VD
Sundance 2022: Leonor Will Never Die, Utama, You Won’t Be Alone
A Fearless Critic: Michael Wilmington (1946-2022)
The Connection to Old Hollywood: Peter Bogdanovich (1939-2022)
TIFF 2021: Listening to Kenny G, Becoming Cousteau, Jagged
KVIFF 2021: The Worst Person in the World and a Conversation with Radu Jude
Out Upon the World’s Stage: Lincoln as History and Tragedy
Welcome to Black Writers Week
Black Writers Week 2021: Table of Contents
Bertrand Tavernier: 1941-2021
After Kane, Before Mank: Revisiting RKO 281
Thumbnails Special Edition: In Praise of Our Writers at RogerEbert.com
The Best Scores of the Decade
Rob Garver on What She Said: The Art of Pauline Kael
Disney Plus Launches with Star Wars Spin-off The Mandalorian
Smile When You Say That: Joker’s Last Laugh
So Many Heroes: Ed Skrein and Luke Kleintank on Portraying the Greatest Generation in the WWII Epic Midway
Cannes 2019: A Hidden Life, The Whistlers
MOMA’s To Save and Project Festival: Cane River, Crime Wave, Pharos of Chaos, The Shipwrecker
The Great Performances of 2018
Always Leave ‘Em Laughing: Peter Bogdanovich on Buster Keaton, superheroes, television, and the effect of time on movies
