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Star Trek Into Darkness

Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…

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Stories We Tell

Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Moving Forward

Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…

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My Ebertfest 2007 photo blog #1

whre.jpgView image Director and longtime Ebert favorite Werner Herzog ("Stroszek") visits with Roger before the noon Sunday screening of "Beyond the Valley of the Dolls."

An experience like Ebertfest 2007 is beyond my capacity to convey in words -- and I'm not just talking about the movies. At one point I asked Roger if he was having as much fun as I was. He wrote on his pad: "The time of my life!" Sitting in his recliner in the back row of the Virginia Theatre in Champaign, IL, (his customary spot -- but this time with cushier accommodations and more legroom) he sure looked like he was having a blast. The rest of us had a fine time, too, as I hope you will see from these photos I took...

re1.jpgView image Roger Ebert listens to Chaz's introduction at the opening night reception.
chrog.jpgView image Chaz Ebert introduces her husband to the opening night crowd from the stage of the Virginia Theatre.
mre.jpgView image Roger with "Beyond the Valley of the Dolls" star Marcia McBroom-Small (Petronella, aka "Pet").
vir.jpgView image The crowd is in the house and all is quiet outside, just before "La Dolce Vita" hit the screen Friday night.
mewh.jpgView image Werner und Ich. (photo by Eric Byler -- with my camera)
eb07.jpgView image Ebertfest '07 begins with a bang -- on the front page of the Chicago Sun-Times. Enlarge to see Roger's note about Chaz's opening remarks -- which kicked off with the the immortal line from "BVD": "It's my happening and it freaks me out!"
nad.jpgView image To give you an idea of the scale of the Virginia Theatre, here's festival director Nate Kohn, actor Alan Rickman and blogger David Poland on stage after "Perfume: The Story of a Murderer." The 'Scope movies -- "Gattaca," "La Dolce Vita," "Perfume" and "Beyond the Valley of the Dolls" (in a newly struck print) -- looked especially ravishing on this screen, with the expert projection of James Bond and Steve Kraus.
recep.jpgView image Festival director Nate Kohn, University of Illinois President Joseph White, Webster, and Mary White at the reception at the president's house.
pcwh.jpgView image Nate with directors Paul Cox ("Man of Flowers" and Werner Herzog ("Stroszek").
reblvd.jpgView image Meet me at the corner of Roger Ebert and Park -- location of the Virgina Theatre.
dbkt.jpgView image What an audience! David Bordwell and Kristin Thompson, third row, house right. No, they're not blushing. That curtain is RED.
haleb.jpgView image Roger and Chaz prepare to let the laptop version of HAL 9000 do the speaking for Roger before the matinee of "Holes."
aud.jpgView image Big and beautiful: For most of the filmmakers who attend Ebertfest, this is the single biggest audience with whom they'll ever see their movie. It's an overwhelming experience.
swdc.jpgView image Scott Wilson gives Dusty Cohl, OC, a traditional Steak 'n Shake massage.
joanc.jpgView image Lady Joan Cohl holds down the fort in the last row.
cuo.jpgView image The Champaign-Urbana Symphony Orchestra (or select members thereof) under the direction of Steve Larsen, perform Joseph Turin's 1986 score for Raoul Walsh's 1928 "Sadie Thompson," starring Gloria Swanson and Walsh himself. The 97-minute score is written for 18 musicians: two flutes (piccolo double), oboe, two clarinets (bass clarinet double), two bassoons, two horns, two trumpets, two trombones, two celli, string bass, piano, and percussion.
sadie.jpgView image David Bordwell, Chicago Tribune critic Michael Phillips, Kristin Thompson, conductor Steve Larson and composer Joseph Turrin on stage after "Sadie Thompson" (introduced by her distant cousin Kristin). Note the thumb statuettes on the floor. These are the new models, cast from Roger Ebert's hand and made of the same material, and by the same company, as the Oscar statuettes.

More to come...

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