In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_alice_through_the_looking_glass

Alice Through the Looking Glass

There is no magic, no wonder, just junk rehashed from a movie that was itself a rehash of Lewis Carroll, tricked out with physically unpersuasive…

Thumb_large_dyxig7wzovccwribwdhhcebdqxj

Holy Hell

The story of a cult as told by a filmmaker assigned to glorify it; intriguing but superficial.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Jean-Luc Godard invents totally newdistribution and exhibition paradigm

From an interview with JLG at Cinemasparagus, regarding the director's preferred distribution and exhibition method for his latest (and allegedly last) feature, "Film socialisme," which premiered a few days ago at Cannes and which can be seen in its entirety, backwards and compressed into 67 seconds, above:

I really would have liked to have a boy and a girl be involved, a couple who had the urge to show things, who were kind of involved with the cinema, the sort of young people you might meet at small festivals. They'd be given a copy of the film on DVD, then be asked to train as skydivers. After that, places would be randomly chosen on a map of France, and they'd parachute down into those locations. They'd have to show the film wherever they landed. In a café, at a hotel... they'd manage. People would pay 3 or 4 euros to get in -- no more than that. They might film this adventure, and sell it later on. Thanks to them, you get a sense of what it means to distribute a film. Afterwards, only you can make the decision, to find out whether or not it's able to be projected in regular theaters. But not before having investigated everything for a year or two. Because beforehand, you're just like me: you don't know what the film is, you don't know what might be interesting about it. You've gone a little outside the whole media space.

(translation: Craig Keller; tip: girish)

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Memoirs of a Geisha, Part II: How Are Geisha or Nerd Stereotypes Harmful?

Part two of Jana Monji's essay about the portrayal of Asian characters in cinema.

I believe Dylan Farrow

Separating the artist from the art isn't as easy as it sounds.

Back to "Roots" with a Multi-Channel Remake of the Television Classic

A review of the History Channel remake of the landmark mini-series, "Roots."

Reveal Comments
comments powered by Disqus