Fast & Furious 6
Squarely state-of-the-art, "Fast 6" is not a great action movie. It has all the ingredients, including a cast that flaunts infectious group chemistry, but its…
Squarely state-of-the-art, "Fast 6" is not a great action movie. It has all the ingredients, including a cast that flaunts infectious group chemistry, but its…
The latest from Blue Sky Studio ("Ice Age," "Rio") is different from whatever Pixar/Disney or any other big animation outfit happens to be offering this…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
James Gray's "The Immigrant" maintains a tight focus on the Ellis Island experience, and Mohammad Rasoulof's "Manuscripts Don’t Burn" dramatizes the inside of the cruel…
Will Michael Douglas take home a Best Actor prize from Cannes for his turn as Liberace in "Behind the Candelabra"?
Far Flung Correspondent Seongyong Cho discusses "Kinyarwanda," a powerful look at the genocide in Rwanda.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Far Flung Correspondent Seongyong Cho discusses "Kinyarwanda," a powerful look at the genocide in Rwanda.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
The destruction of Vulcan, one of the most crucial planets in the "Star Trek" universe, should be at the core of J.J. Abrams’ "Trek" movies.…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Named after the David Cronenberg film, this is the blog of RogerEbert.com founding editor Jim Emerson, where he has chronicled his enthusiasms and indulged his whims since 2005. Favorite subjects include evidence-based movie criticism, cinematic form and style, comedy, logical reasoning, language, journalism, technology, epistemology and fun. No topic is off-limits, but critical thinking is required.

I haven't seen all the nominees ("The Dead Girl," "American Gun," "Wristcutters: A Love Story," etc.), but, as always, there are some most welcome nominations. (Links below go to my reviews, festival coverage -- or even Opening Shots.)
"Man Push Cart," for best first feature (director Ramin Bahrani), male lead (Ahmad Razvi) and cinematography (Michael Simmonds). Opening Shot treatment here.
"Half Nelson," for best feature, director (Ryan Fleck), first screenplay (Anna Boden & Fleck), male lead (Ryan Gosling), female lead (Shareeka Epps)
"Pan's Labyrinth," for best feature and cinematography (Guillermo Navarro). (But not Guillermo Del Toro for director and screenplay?!?!?!)
"Old Joy," for the John Cassavettes Award.
Paul Dano for "best supporting male" (that's the IFP's category) in "Little Miss Sunshine," which is also nominated for best feature, screenplay, directors -- and Alan Arkin, also nominated for supporting male. I love Arkin (it's all about "Little Murders," people!), but I thought Steve Carell and Dano stole the movie, with Toni Collette and Greg Kinnear close behind.
Catherine O'Hara for best female lead in "For Your Consideration."
Robert Altman, best director for "A Prairie Home Companion."
Biggest disappointments: No documentary nominations for "51 Birch Street" or "The Bridge." The former may have been too deceptively simple and artless (in truth, it's a complex work of art) and the latter too cold and disturbing for many in the Indie tent-party crowd.
I'm still technically on break, but I'll be back to blogging (and editing) Wednesday.
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