In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_heaven_is_for_real

Heaven Is for Real

Faith-based film tries reaching past its audience, but falls back on preaching to its own choir way too much.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Chaz's Blog Archives
Other Articles
Far Flunger Archives
Other Articles
Channel Archives
Primary_fphitch-thumb-510x277-39805

Hitchcock's Family Plot Photo Album

I've been enjoying reading Dave Kehr's book, When Movies Mattered: Reviews from a Transformative Decade, a selection of pieces he wrote between 1974 and 1986. One of them, his choice for best film of 1976, is a review of Alfred Hitchcock's 53rd and final feature, "Family Plot," which I hadn't seen since the 1970s. Boy, did I enjoy the re-visit. The structure (screenplay by Ernest Lehman ["North by Northwest"], based on a 1972 novel, The Rainbird Pattern, by Victor Canning) concerns two couples: a "spiritualist" and her taxi-driver boyfriend (Barbara Harris and Bruce Dern), amateur sleuths trying to track down the lost heir of a rich client; and a pair of slick jewel thieves (Karen Black and William Devane, who sounds -- and sometimes looks -- so much like Jack Nicholson it's scary!). Their plots intersect at a point involving a case of... not mistaken identity, but concealed identity.

Kehr wrote: "There are things in 'Family Plot' that we haven't seen in an American film in a long time; things like care, precision, and detail. 'Family Plot' is probably the most beautifully crafted, thematically dense film that we're going to see this year."

Also, there are some fun Hitchcockian puns/jokes (DK has a lovely account of the spilled white "blood" that becomes a clue). Here are a few of them, just for the enjoyment of it:

fpbates.jpg

Off the main highway, definitely...

fpmotel.jpg

fpmatch.jpg

Gas station attendant to Bruce Dern: "You better watch it with the matches." Yeah. Hasn't he seen "The Birds"?

fpbirds.jpg

fppeep.jpg

Karen Black, meet Tony Perkins...

fppsychpeep.jpg

fpbdmarnie.jpg

Above: Bruce Dern as a memorable overnight visitor in "Marnie" (1964). Below: Bruce Dern as one of the leads -- an actor/taxi driver/amateur detective -- in "Family Plot," 12 years later.

fpdern.jpg

And here's one that looks forward instead of back: Hitchcock blondes, from Hitch himself in 1976, to Brian DePalma ("Dressed to Kill") in 1981...

fpladyblack.jpg

fpdtk.jpg

fpnash.jpg

Above: Barbara Harris was also handed the ending of one of the great American movies, Robert Altman's "Nashville," just the year before (though DK* is not fond of that one!). Below: The last shot from the last Hitchcock feature film. The lighting actually shimmers as Harris sits down on the staircase, and it's magic.

fpwink.jpg

- - - -

* DK wrote:

"Family Plot" is a movie filled with more incidental brilliancies than there's room to mention -- the kidnapping of a bishop before a church filled with penitents, a slow chase through the Mondrian pattern formed by the paths of a graveyard, etc., etc. At once, it's a film of remarkable richness and remarkable economy. Not a single detail -- a garden hose hung on a basement wall, for example -- is placed without significance. I doubt that a dozen viewings would reduce its fascination one bit. "Family Plot" is made in a style that many will find anomalous or old fashioned. But if the exercise of care and craftsmanship is out of style -- which it seems to be, judging from the reception that a mess like "Nashville" can get -- then that's our loss, not Hitchcock's.

Of course, I'd argue that Altman exhibits another kind of care and craftsmanship -- one that is very different indeed from Hitchcock's, and with different aims and different effects. It don't worry me...

fpwhite.jpg

Popular Blog Posts

Hashtag Activism and the #CancelColbert campaign

The recent #CancelColbert campaign on Twitter raises all kinds of issues about racism, but also about hashtag activism.

Able-Bodied Actors and Disability Drag: Why Disabled Roles are Only for Disabled Performers

Scott Jordan Harris argues that disabled characters should not be played by able-bodied actors.

For the love of it: notes on the decline of Entertainment Weekly, the firing of Owen Gleiberman, and the ongoing end of an era

Owen Gleiberman's sacking as lead film critic of Entertainment Weekly — part of a ritual bloodletting of staffers at ...

Reveal Comments
comments powered by Disqus