Fast & Furious 6
Squarely state-of-the-art, "Fast 6" is not a great action movie. It has all the ingredients, including a cast that flaunts infectious group chemistry, but its…
Squarely state-of-the-art, "Fast 6" is not a great action movie. It has all the ingredients, including a cast that flaunts infectious group chemistry, but its…
The latest from Blue Sky Studio ("Ice Age," "Rio") is different from whatever Pixar/Disney or any other big animation outfit happens to be offering this…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
James Gray's "The Immigrant" maintains a tight focus on the Ellis Island experience, and Mohammad Rasoulof's "Manuscripts Don’t Burn" dramatizes the inside of the cruel…
Will Michael Douglas take home a Best Actor prize from Cannes for his turn as Liberace in "Behind the Candelabra"?
Far Flung Correspondent Seongyong Cho discusses "Kinyarwanda," a powerful look at the genocide in Rwanda.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Far Flung Correspondent Seongyong Cho discusses "Kinyarwanda," a powerful look at the genocide in Rwanda.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
The destruction of Vulcan, one of the most crucial planets in the "Star Trek" universe, should be at the core of J.J. Abrams’ "Trek" movies.…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Named after the David Cronenberg film, this is the blog of RogerEbert.com founding editor Jim Emerson, where he has chronicled his enthusiasms and indulged his whims since 2005. Favorite subjects include evidence-based movie criticism, cinematic form and style, comedy, logical reasoning, language, journalism, technology, epistemology and fun. No topic is off-limits, but critical thinking is required.
Vancouver, BC, is a lovely town (not that I ever get to see any of it during the Vancouver International Film Festival, where I'm writing from) -- comparable in scenic beauty to my beloved home burgh of Seattle, and only three hours north by train. That is one dreamy train ride, too. (And Amtrak Cascades service has free Wi-Fi in coach and business class!) To me, a train is a movie on rails: the windows are like frames, the track is like the ribbon of film winding its way through the projector...
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And, of course, how can you not have movie-memories whenever you board a train? "North By Northwest" is the first thing that always comes to my mind -- and "Twentieth Century," "Some Like It Hot," "That Obscure Object of Desire," "The Major and the Minor," "The Lady Vanishes"... (no, I am not going to think about "Unbreakable" or "Source Code").
Here are a few location "stills" from this year's VIFF production...
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Above: Most of the trip is right along the water. This is Puget Sound, just a few miles north of Edmonds, WA.
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Above: Bald eagle atop a snag in Mud Bay.
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Above: View from my 11th floor hotel room. Nice to wake up to this sight.
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Above: "It's called acting!" Film scholars, authors, lecturers and bloggers extraordinaire David Bordwell and Kristin Thompson are directed to get that expectant, "when the lights go down" look in their eyes as we wait for a movie to begin.
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Above: Granville Street, where most of the festival action takes place. On the right is the Empire Granville 7, a multiplex with screenings all day every day. The next block down is the recently restored Vogue Theatre, which isn't a good place to see a movie. It's mostly used for music these days, and that's a good thing. The main aisle is down the center of the auditorium, the screen is teeny for such a big house and set way back from the edge of the stage (there may be, or once have been, an orchestra pit between the front row and the stage, too), and the cramped wooden seats are like 10-gallon wine barrels cut in half. After attending one screening there, I avoided it.
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Above: If the Grateful Dead had been a film festival, perhaps it would have been Vancouver's.
Next Article: VIFF #2: Come into my painting said the spider to the eye Previous Article: VIFF #1: The "normal" pedophile nobody notices
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