The Bye Bye Man
The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.
What a work of art and nature is Marilyn Monroe. She hasn't aged into an icon, some citizen of the past, but still seems to be inventing herself as we watch her. She has the gift of appearing to hit on her lines of dialogue by happy inspiration, and there are passages in Billy Wilder's "Some Like It Hot" where she and Tony Curtis exchange one-liners like hot potatoes.
Poured into a dress that offers her breasts like jolly treats for needy boys, she seems totally oblivious to sex while at the same time melting men into helpless desire. "Look at that!" Jack Lemmon tells Curtis as he watches her adoringly. "Look how she moves. Like Jell-O on springs. She must have some sort of built-in motor. I tell you, it's a whole different sex."
Wilder's 1959 comedy is one of the enduring treasures of the movies, a film of inspiration and meticulous craft, a movie that's about nothing but sex and yet pretends it's about crime and greed. It is underwired with Wilder's cheerful cynicism, so that no time is lost to soppiness and everyone behaves according to basic Darwinian drives. When sincere emotion strikes these characters, it blindsides them: Curtis thinks he wants only sex, Monroe thinks she wants only money, and they are as astonished as delighted to find they want only each other.
The plot is classic screwball. Curtis and Lemmon play Chicago musicians who disguise themselves as women to avoid being rubbed out after they witness the St. Valentine's Day Massacre. They join an all-girl orchestra on its way to Florida. Monroe is the singer, who dreams of marrying a millionaire but despairs, "I always get the fuzzy end of the lollipop." Curtis lusts for Monroe and disguises himself as a millionaire to win her. Monroe lusts after money and gives him lessons in love. Their relationship is flipped and mirrored in low comedy as Lemmon gets engaged to a real millionaire, played by Joe E. Brown. "You're not a girl!" Curtis protests to Lemmon. "You're a guy! Why would a guy want to marry a guy?" Lemmon: "Security!"