Inside Llewyn Davis
"Inside Llewyn Davis" is the most satisfyingly diabolical cinematic structure that the Coens have ever contrived, and that's just one reason that I suspect it…
When I moved to Chicago in 1966, the Loop was the center of moviegoing in Chicago, and all the big first-run movies opened downtown before going “outlying” two or three weeks later. Today, there is exactly one movie theater in the Loop: the Gene Siskel Film Center, run by the School of the Art Institute. There are, of course, the AMC River Plaza and Loews 600 N. Michigan multiplexes, and Burnham Plaza at 826 S. Wabash, but technically they’re not in the Loop.
Roger Ebert’s review of the horror film “Chaos,” and the subsequent exchange of “open letters” between the film’s makers and Ebert, inspired an unusual number of impassioned and thoughtful responses from readers. (One of them, an account of a Los Angeles screening attended by the filmmakers, has already been printed in Scanners, the editor’s blog, and is also reprinted as the last item on this page.)
On Aug. 12, I published two zero-star reviews, of "Deuce Bigalow: European Gigolo" and "Chaos." The first was a moronic comedy. Of the second, I wrote:
“Duma,” the little movie that could, has won a third week in Chicago-area theaters.
EDITOR'S NOTE: Sometimes, Roger Ebert is exposed to bad movies. When that happens, it is his duty -- if not necessarily his pleasure -- to report them (fairly, accurately) as he sees them. Whether they're so bad they're funny, so bad they're not funny, or so unfunny they're not funny, he must critique them. From bad Elvis to Deuce Bigalow, these are excerpts from reviews of some of the worst movies he's ever seen. (Click on the titles for the full reviews.) It's not just their measly ratings -- from zero to 1.5 stars -- but what Ebert has to say about them that really conveys their true awfulness.
Why penguins and not cheetahs?