Man of Steel
The title "Man of Steel" tells you what you're in for when you buy a ticket to this immense summer blockbuster: a radical break from…
The title "Man of Steel" tells you what you're in for when you buy a ticket to this immense summer blockbuster: a radical break from…
Claustrophobia isn't often considered a cinematic asset beyond tales of suspense and horror. But "Fill the Void," an award-winning Israeli drama about a naive 18-year-old…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
Here are some ways to celebrate Roger's birthday (a birthday shared by Sir Paul McCartney).
A remembrance by Roger Ebert's book editor Donna Martin: "I had never even seen "Siskel & Ebert" on television when I knew I wanted to…
Suicide glamour and magazine-shaming; how American textbooks dumb down Vietnam; remembering the late investigative journalist Michael Hastings; why sex on the first date is not…
Here are some ways to celebrate Roger's birthday (a birthday shared by Sir Paul McCartney).
Kevin B. Lee reports on the film series at MoMA that he co-curated.
Katherine Tulich talks to Julie Delpy, Ethan Hawke and Richard Linklater about returning once again to the characters from "Before Sunrise" and "Before Sunset" for…
This summer's Millennium Park screenings kick off with a dedication to Roger Ebert.
Craig D. Lindsey is on the warpath against jerk cinema, in which arrogant heroes trample all over everybody and the film celebrates them as righteously…
Roger Ebert became film critic of the Chicago Sun-Times in 1967. He is the only film critic with a star on Hollywood Walk of Fame and was named honorary life member of the Directors' Guild of America. He won the Lifetime Achievement Award of the Screenwriters' Guild, and honorary degrees from the American Film Institute and the University of Colorado at Boulder.
When I moved to Chicago in 1966, the Loop was the center of moviegoing in Chicago, and all the big first-run movies opened downtown before going “outlying” two or three weeks later. Today, there is exactly one movie theater in the Loop: the Gene Siskel Film Center, run by the School of the Art Institute. There are, of course, the AMC River Plaza and Loews 600 N. Michigan multiplexes, and Burnham Plaza at 826 S. Wabash, but technically they’re not in the Loop.
Roger Ebert’s review of the horror film “Chaos,” and the subsequent exchange of “open letters” between the film’s makers and Ebert, inspired an unusual number of impassioned and thoughtful responses from readers. (One of them, an account of a Los Angeles screening attended by the filmmakers, has already been printed in Scanners, the editor’s blog, and is also reprinted as the last item on this page.)
On Aug. 12, I published two zero-star reviews, of "Deuce Bigalow: European Gigolo" and "Chaos." The first was a moronic comedy. Of the second, I wrote:
“Duma,” the little movie that could, has won a third week in Chicago-area theaters.
EDITOR'S NOTE: Sometimes, Roger Ebert is exposed to bad movies. When that happens, it is his duty -- if not necessarily his pleasure -- to report them (fairly, accurately) as he sees them. Whether they're so bad they're funny, so bad they're not funny, or so unfunny they're not funny, he must critique them. From bad Elvis to Deuce Bigalow, these are excerpts from reviews of some of the worst movies he's ever seen. (Click on the titles for the full reviews.) It's not just their measly ratings -- from zero to 1.5 stars -- but what Ebert has to say about them that really conveys their true awfulness.
Why penguins and not cheetahs?