The Bye Bye Man
The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.
It really does make sense, once you've overcome the novelty of the idea, that Sherlock Holmes and John H. Watson originally met while at school. Their friendship is the sort of immature bond that can best be forged between adolescents, based on Watson's hero-worship and Holmes' need for an admiring audience. There always has been something of the eternal teenager about Holmes and Watson, especially in their love of gadgets and mysteries and technical intricacies, and their complete bafflement when faced with such complex subjects as human nature or women.
"Young Sherlock Holmes" suggests that Holmes and Watson met in their middle teens, at an English public school, and that Holmes solved his first case at about the same time. This theory involves a rewriting of their historic first meeting, but the movie suggests that it set a pattern for many more meetings to come: Watson blunders into the orbit of the supercilious Holmes, who casually inspects him and uses a few elementary clues to tell him everything about himself.
The school they attend is one of those havens of eccentricity that have been celebrated in English fiction since time immemorial. It is run by Rathe (Anthony Higgins), a bright young man, but it is also inhabited by old professor Waxflatter (Nigel Stock), a retired don who hopes to invent the first airplane and who regularly launches unsuccessful flights from the tops of school buildings.
Holmes and Watson look, as schoolboys, like younger versions of the men they would someday become. Holmes (Nicholas Rowe) is tall, slender and taciturn, and Watson (Alan Cox) is short and round and nearsighted. Watson is in every sense the "new boy," always available to run an errand for the adored Holmes, to provide a cheering section, and to chronicle the great man's adventures.