In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_momo_poster

A Letter to Momo

Even scenes that work, such as a climax on a rain-soaked bridge, feel like they could have been trimmed by a few hand-drawn frames. Maybe…

Thumb_69rzzkn5scyaqf9fhbegvjhsrmb

Cannibal

Visually striking and confident but frustratingly hollow in terms of character and narrative.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Reviews

Wallace and Gromit: The Curse of the Were-Rabbit

Wallace and Gromit: The Curse of the Were-Rabbit Movie Review
  |  

Wallace and Gromit are arguably the two most delightful characters in the history of animation. Between the previous sentence and this one I paused thoughtfully and stared into space and thought of all of the other animated characters I have ever met, and I gave full points to Bugs Bunny and high marks to Little Nemo and a fond nod to Goofy, and returned to the page convinced that, yes, Wallace and Gromit are in a category of their own. To know them is to enter a universe of boundless optimism, in which two creatures who are perfectly suited to each other venture out every morning to make the world into a safer place for the gentle, the good and the funny.

Wallace is an inventor. Gromit is a dog, although the traditional human-dog relationship is reversed in that Gromit usually has to clean up Wallace's messes. No, not those kinds of messes. They're not that kind of movie. In three short subjects and now in their first feature, Wallace sails out bravely do to great but reckless deeds, and Gromit takes the role of adult guardian.

In "Wallace & Gromit: The Curse of the Were-Rabbit," they face their greatest challenge. Lady Tottington is holding her family's 517th annual Giant Vegetable Fete, and all the gardeners for miles around are lovingly caressing their gigantic melons and zucchinis and carrots and such, and Wallace and Gromit are responsible for security, which means keeping rabbits out of the garden patches.

Their company is named Anti-Pesto. Their methods are humane. They do not shoot or poison the bunnies. Instead, Wallace has devised another of his ingenious inventions, the Bun-Vac, which sucks the rabbits out of their holes and into a giant holding tube, so that they can be housed in comfort at Anti-Pesto headquarters, and feast on medium and small vegetables. Their tactics perfectly suit Lady Tottington's humane convictions.

They have a rival, the sniveling barbarian Lord Victor Quartermaine, a gun nut with a toupee heaped on his head like a mess of the sort Gromit never has to clean up. Lord Victor dreams of marrying Lady Tottington and treating himself to the luxuries of her ancestral wealth, and that involves discrediting and sabotaging Anti-Pesto and all that it stands for. Thus is launched the affair of the Were-Rabbit, a gigantic beast (with a red polka dot tie) that terrorizes the neighborhood and inspires the Reverend Hedges to cry out, "For our sins a hideous creature has been sent to punish us."

I dare not reveal various secrets involving the Were-Rabbit, so I will skip ahead, or sideways, to consider Wallace's new invention, the Mind-o-Matic, which is intended to brainwash rabbits and convince them they do not like vegetables. That this device malfunctions goes without saying, and that Gromit has to fly to the rescue is a given.

Wallace and Gromit are the inventions of a British animator named Nick Park, who co-directs this time with Steve Box. In an era of high-tech CGI, Park uses the beloved traditional form of stop-motion animation. He constructs his characters and sets out of Plasticine, a brand of modeling clay, and makes minute adjustments to them between every frame, giving the impression not only of movement but of exuberant life and color bursting from every frame. (As a nod to technology, just a little CGI is incorporated for certain scenes that would be hard to do in Plasticine, as when the vacuumed bunnies are in free-fall).

Remarkably, given the current realities of animation, "Wallace & Gromit: The Curse of the Were-Rabbit" is the second stop-motion animated film in two weeks, after Tim Burton's "Corpse Bride." Both of these films are wonderful, but Wallace and Gromit have the additional quality of being lovable beyond all measure, inhabiting a world of British eccentricity that produces dialogue such as: "This is worse than 1972, when there were slugs the size of pigs."

Speaking of pigs, some of my favorite books are the Blandings Castle novels by P.G. Wodehouse, in which Lord Emsworth dotes on his beloved pig, Empress of Blandings. I have always assumed the Blandings stories to be unfilmable, but now realize that Nick Park is just the man for them, with Wallace as Lord Emsworth, and Gromit as George Cyrill Wellbeloved, his Lordship's expert pigman. True, Gromit does not speak, but Wellbeloved is a man of few words, and if Gromit can solve the mystery of the Were-Rabbit, he should be able to handle a pig.

Popular Blog Posts

Video games can never be art

Having once made the statement above, I have declined all opportunities to ...

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Reverse Trip: Charting the History of Bong Joon-Ho's "Snowpiercer"

A look at the cinematic and political history that resulted in Bong Joon-Ho's "Snowpiercer."

James Garner: 1928-2014

An obituary for the legendary James Garner, who has passed away at the age of 86.

Reveal Comments
comments powered by Disqus