It’s exciting to see Shyamalan on such confident footing once more, all these years later.
It's an old gag, the one about the actor who is always interrupted in the middle of Hamlet's soliloquy by a guy in the third row who has to go to the john and loudly excuses himself all the way to the end of the row. But I can't think of a better Hamlet for this particular gag than Mel Brooks. "That is the QUESTION!" he bellows, as the guy screws up his timing, his delivery, his concentration. And the punch line is that the guy is actually going backstage to have a quick assignation with the actor's wife.
Mel Brooks loves show business and has worked it into a lot of his movies, most unforgettably in "The Producers." He also loves musicals and has worked musical numbers into the most unlikely moments in his movies. (Remember Frankenstein's monster doing the soft shoe?) In "To Be or Not To Be," Brooks combines a backstage musical with a wartime romance and comes up with an eclectic comedy that races off into several directions, usually successfully.
The movie co-stars Brooks and his wife, Anne Bancroft, working together for the first time on screen as Frederick and (Anna) Bronski, the impresarios of a brave little theatrical troupe in a Warsaw on the brink of war. (Anna) Bronski, whose name is in parentheses because her husband has such a big ego, is a femme fatale with an eye for the handsome young servicemen that worship her nightly in the theater. Bronski is an all-over-the-map guy who does Hamlet's soliloquy and stars in a revue called "Naughty Nazis" in the same night and on the same stage.
Then the Nazis march into Poland. What can a humble troupe of actors do to stop them? "Nothing!" Bronski declares -- but then the troupe gets involved in an elaborate masquerade, pretending to be real Nazis in order to throw Hitler's men off course and prevent the success of the German plans.