The Bye Bye Man
The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.
"The Super" is a cynical 1991 variation on a more idealistic 1970 film named "The Landlord," and the ways in which the two films differ are interesting, and depressing. Both films open in essentially the same way: A rich white man takes over a slum tenement and is completely indifferent to the problems of his black and Hispanic tenants. In the 1970 version, starring Beau Bridges as the landlord, he wants to turn the building into a psychedelic getaway for his wild lifestyle. In the 1991 version, starring Joe Pesci, he wants to collect the rent, spend no money on repairs, and eventually inherit all 27 of his father's slum buildings. Thus does the Age of Aquarius fade into the Age of Trump.
In the 1970 movie, the tenants in the building play important roles. The movie co-starred Pearl Bailey, Diana Sands, Lou Gossett and Marki Bey, among others, and Bridges ended up fathering a child by one woman, falling in love with another, and adopting the baby. In the 1991 version, the tenants of the building act more as a chorus than as a group of individuals, and Pesci's romantic life consists mostly of making lewd proposals to women who are not interested in them.
Of course it's not entirely fair to compare these two movies, even though the makers of "The Super" must have seen "The Landlord." "The Super" is not remotely as ambitious as "The Landlord," which in its own way wanted to open the eyes of its white character to some realities of American black life.
"The Super" lacks that idealism, and is intended as a comedy; Pesci's character is made deliberately loud, uncouth and offensive. A lot of the dialogue is in the "insult humor" sitcom style, where people say crude things to each other and the laugh track assures you that no one is offended. Without a laugh track, however, a lot of Pesci's one-liners sound like the sort of comments which, delivered by a white man in the hallway of a Harlem tenement, would be more likely to inspire a homicide than a chuckle.