Like Ficarra and Requa’s 2011 comedy Crazy Stupid Love, Focus begins promisingly and bops along enjoyably for a while, only to run out of steam…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Odie Henderson launches our coverage of Oscar Memories from some of our most notable contributors.
CANNES, France -- The French New Wave was a rebirth of French films in the early 1960s, and the German new wave represented the same process in Germany in the 1970s. Now black American filmmakers are developing a new stylistic and personal vision that reached critical mass at this year's Cannes Film Festival. In May of 1991, here in the incongruous setting of the French Riviera, far from the urban settings of most of their films, the black new wave came of age.
Billy Dee Williams has been called the black Clark Gable and, if pressed, he'll agree that the comparison has some merit. Now 38, Williams spent a long apprenticeship on Broadway, in television and as a supporting film actor before he made his breakthrough as Chicago Bear Gale Sayers in "Brian's Song " in 1971.