In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_large_20ut2u5dmgl6szdu0adaq8u5zoc

The Interview

Opportunities at rich satire flatten out into Hangover dude-dope-doodoo jokes, where the premise is that there’s nothing funnier than watching over-privileged grown men act out…

Thumb_american_sniper

American Sniper

American Sniper proves the dictum “never count an auteur out” by proving itself as Eastwood’s strongest directorial effort since 2009's underrated Invictus pretty much right…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Reviews

Poison Ivy

  |  

"Poison Ivy" resembles another recent film, "Folks!," in one crucial aspect: Both movies are about evil characters, unsuccessfully played by likable actors. "Folks!" was a "comedy" that had Tom Selleck as a man trying to murder his parents for the insurance money, and "Poison Ivy" stars Drew Barrymore as a devious Lolita who moves into a family's life and seems ready to kill the mother, marry the father, and replace the daughter. This would seem more plausible if Barrymore seemed even slightly capable of doing it.

She does not. She seems like a pleasant, basically cheerful young woman who has put on a lot of makeup and some sexy dresses to try out for the part, after the class sex fiend turned down the role.

There is scarcely a moment in the movie when the story works as fiction; I was always aware of the casting, of the mood-setting devices, of the stylistic borrowings from Hitchcock.

The movie stars Barrymore as Ivy, a poor girl attending a rich kids' school on a scholarship. Sara Gilbert is Cooper, a classmate who likes to lurk around the edges of social groups, feeding her resentments. One day she phones in a bomb threat to the TV station where her dad (Tom Skerritt) is the boss; that catches Ivy's attention, and the two girls become fast friends. Before Cooper or anyone else quite knows how it has happened, Ivy has actually moved into the family's home.

Skerritt, as the dad, has a drinking problem, but it's mild compared to the difficulties of Cooper's mom, played by Cheryl Ladd as a hypochondriac addicted to pills, who spends most of her day dreaming away in bed; she's a thriller version of Sonny von Bulow.

Ivy sees an opening, and begins to play all three family members against one another, so cleverly each one believes she can be trusted.

The plot contains several surprises that should not be revealed, although the general thrust of the story is clear enough: Ivy will seduce Dad, replace Mom, and drive poor Cooper mad by framing her for crimes she didn't commit. Many of her schemes involve an almost willful blindness on the part of her victims, who must be fairly stupid not to see through her. (Why do they let her stay in the house, anyway?) In casting a movie like this, it's customary for the best role to go to the more important star, but that's not always a service to the actor or the movie. Watching "Poison Ivy," I began imagining Sara Gilbert as Ivy, and Drew Barrymore as Cooper. I think the film would have worked a lot better than way. Gilbert has a dark undertone that Barrymore lacks, and Barrymore has a sort of feckless innocence that would have played well.

As it is, we get a movie that never really convinces us it's anything but a lurid wind-up machine with lots of rainy nights and lightning flashes, split-second double-crosses and hysterical upheavals. I mentioned Hitchcock earlier, and it's true that many of the props from his films are here - physical, musical and emotional.

But the filmmakers didn't learn one of his most basic lessons.

Hitchcock liked typecasting, he said, because if an actor was right for a role, that made less work for the director in getting the audience to accept the character. Here the casting is so wrong that nothing quite works.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Dear Angelina: Thoughts on "Cleopatra"

A letter to Angelina Jolie about the casting of her upcoming take on "Cleopatra."

The Ten Best TV Programs of 2014

The best television programs of 2014.

Roger Moore's Best: "The Spy Who Loved Me"

An FFC comments on Roger Moore's best James Bond film, "The Spy Who Loved Me."

Reveal Comments
comments powered by Disqus