Leonard Cohen: Bird on a Wire
Palmer's film is that rare concert doc that isn't for established fans only.
“Nerve” is a lot like high school: The jocks and pretty people have all the fun before eventually being bailed out of trouble by the nerds who were ceremoniously not included. The nerd in question here is Tommy (Miles Heizer), a computer guy who pines for leading lady Vee Delmonico (Emma Roberts). Vee is blonde, beautiful and has just been accepted into CalArts. There’s no way in cinematic hell—or actual Hell—that she’d wind up in Tommy’s arms. Yet it’s Tommy to the rescue when Vee gets herself involved in a sinister smartphone game whose online ringmaster sounds suspiciously like Stephen Hawking.
A brief history of the film reveals that it started out as a popular young adult novel by Jeanne Ryan. I haven’t read the book, but I have seen the "Simpsons" episode where Homer is willing to degrade himself for money. The rules of “Nerve” are very similar. This underground game has two modes, player and watcher. Players are given “dares” by watchers. Upon completion of the dares, which are recorded by the player and other watchers, cash is immediately deposited into the player’s account. The more dangerous the dare, the more money one can make. If a player fails, or bails out of the dare, their game is over and they forfeit all their dough. If a player freaks out, and gets law enforcement involved, the street adage “snitches gets stitches” is quite rudely demonstrated.
“Nerve” wants to be a cautionary tale about the perils of desiring fame through social media, but it isn’t willing to go to the darker depths this material requires. It opts to stay on a more superficial and very goofy level, and while that has its enjoyable charms, it pretty much negates the film’s message. Repercussions are mere afterthoughts here. The ABC Afterschool Specials of my youth, as cheesy as they were, seem more dangerous. The hardened cynic in me was hoping for something akin to Eli Roth making a horror movie about "Pokemon Go." But then again, I am not the target audience for “Nerve." Part of me screamed for this film to get off my lawn, but an even bigger part of me succumbed to playing by its rules. “Nerve” is too much fun to stay mad at for long.
The film is most effective when it’s portraying the dynamics of its teenaged universe. Screenwriter Jessica Sharzer provides enough space for the actors to flesh out and inhabit their standard teen-movie trope characters, and it’s easy to identify with whatever type you were in high school. The interplay between the main characters feels true to life. For example, Vee starts playing “Nerve” as a means to escape the shadow of her more popular friend, Sydney (Emily Meade, very good here). They have a complicated relationship that the film, to its credit, takes time to explore. Like most teenagers, Vee and Sydney want to be popular, and in today’s world, that requires going viral in some online fashion.