Leonard Cohen: Bird on a Wire
Palmer's film is that rare concert doc that isn't for established fans only.
"Me, Myself & Irene" is a labored and sour comedy that rouses itself to create real humor, and then settles back glumly into an impenetrable plot and characters who keep repeating the same schtick, hoping maybe this time it will work. It stars Jim Carrey in a role that mires him in versions of the same gags, over and over. Renee Zellweger co-stars as a woman who stays at his side for no apparent reason except that the script requires her to.
The movie is by the Farrelly brothers, Peter and Bobby, whose "There's Something About Mary" still causes me to smile whenever I think about it, and whose "Kingpin" is a buried treasure. They worked with Carrey in "Dumb and Dumber," which has some very big laughs in it, but this time their formula of scatology, sexuality, political incorrectness and cheerful obscenity seems written by the numbers. The movie is as offensive as most of their work, which would be fine if it redeemed itself with humor. It doesn't. There is, for example, an extended passage making fun of an albino that is not funny at all, ever, in any part, but painfully drones on and on until the filmmakers cop out and make him the pal of the heroes.
Carrey plays a Rhode Island state trooper who puts up with shocking insults to his manhood and uniform and manages somehow to be a sunny Dr. Jekyll, until he finally snaps and allows his Mr. Hyde to roam free. As the nice guy (named Charlie), he keeps smiling after his wife presents him with three black babies, fathered by a dwarf limo driver and Mensa member. He even keeps smiling when his neighbor allows his dog to defecate on his lawn, while the neighbor's wife steals his newspaper, and when the guys in the barbershop laugh at his attempts to enforce the law.
Years pass in this fashion. His wife runs off with the little genius. His sons stay with him, growing into enormous lads who are brilliant at school but use the MF-word as if it were punctuation. Since no one else in their lives uses it, the movie must think all African Americans are required by statute or genetics to repeat the word ceaselessly (it might have been funnier to have all three boys talk like Sam Donaldson).