A Letter to Momo
Even scenes that work, such as a climax on a rain-soaked bridge, feel like they could have been trimmed by a few hand-drawn frames. Maybe…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Q. You wrote: "It's like the dilemma of the 10 hot dogs and eight buns: You can never come out even at the end." Well, of course you can come out even: Four packs of wienies and five packs of buns yields 40 hot dogs.
Q. A friend of mine reports a rumor regarding the upcoming "Psycho" remake. She says all the talk about a shot-for-shot remake is just a smoke screen. What Gus Van Sant actually plans to do is copy only the first half of the movie, lure the audience into thinking they're getting a straight remake, and then go off in a completely different direction. I was dubious until she pointed out that's exactly what Hitchcock did with "Psycho," where he suddenly kills off the main character. What do you think? Is there still hope? (Eric Brochu, Regina, Sas.)