It’s exciting to see Shyamalan on such confident footing once more, all these years later.
"Just You and Me, Kid" is a charming disappointment. The charm is supplied, with grace and a wonderfully lovable quality, by George Burns. The disappointment is in the movie that surrounds him. It doesn't have the edge it needs. It moves inexorably toward sentimentality. And then it provides, in counterpoint, a bad guy who is too evil for most of the movie, and then too much of a dumb chump at the end.
But the movie's beginning is a treasure. We open on Burns' face, as he slumbers in bed. The alarm clock goes off, but not with a ring: The old vaudevillian awakens to applause. Goes downstairs. Fixes breakfast. Drives in his massive PierceArrow to the supermarket, where he amazes the checkoutcounter staff with his magic trick of the day. And then . . . he finds a naked young girl in his car trunk.
The girl is Brooke Shields. He takes her home because he has to: "I'll scream if you don't." Takes her inside, clothes her, questions her, discovers she's on the lam from the cops and from a dope-pushing boyfriend. The movie then cuts back and forth between Burns' attempts to reason with the girl and help her, and the unconvincingly unsubtle attempt of the boyfriend to find her.
There is a comic premise here somewhere. I'd guess, indeed, that the screenplay was a treasure. But they've gummed it up. They have George Burns just right by now he can hardly play himself wrong and his memories and songs and little jokes are an endearment. But the Brooke Shields character is handled with such rote (first she has to be hostile, then accepting, then sweet) that she hardly gets a chance to see what she can do with it.
There are some problems, too, with the subplots. The boyfriend has already been noted; all of his scenes require him to slam doors angrily, make threats, and look dumb. But there's also a soppy plot involving Burns' old vaudeville friend (Burl Ives), who has given up on life and refused to talk. There's a lot of business about Burns' daughter (Lorraine Gary) trying to get her signature on the savings account.