In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_large_xbjzcdnnuxx7z1v5g68dtbpgfid

War Room

War Room preaches that we have no call to be righteous and judge others, yet the film itself is righteous and judgmental in the extreme.

Thumb_dirty_weekend

Dirty Weekend

Matthew Broderick and Alice Eve play business colleagues who get stranded in Albuquerque during a business trip, leading to rather mild complications; except for the…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Channel Archives

Reviews

Hellfighters

  |  

Out in front of the Roosevelt Theater there's a big photo of John Wayne and this quote, attributed to him: "I've made a lot of action pictures but never one as exciting as this." I doubt that Wayne volunteered this information; it sounds more like a studio publicity idea.

The fact is, Wayne has made a lot of action pictures, and over the years he has gotten to be about as good at it as anybody. He must have been miserable during the filming of "Hellfighters," which is a slow moving, talkative, badly plotted bore.

The basic premise was promising: Wayne, who has played about every other sort of man of action, would be an oil-well fighter this time. That could have been fascinating if the film had really gotten into the techniques of his occupation.

Instead, there's a ridiculous story involving Wayne's wife (Vera Miles), who left him because she couldn't stand the worry, and his daughter (Katharine Ross), who marries his partner and insists on coming along to all the fires. Most of the action consists of everybody standing around telling the women they don't belong in a place like this. My theory is you should either leave women out of action pictures or give them something to do.

The film is a disaster for Miss Ross. In "The Graduate" she was beautiful, subtle and a great actress. Universal, which has her under contract, should have looked around for another suitable role. Instead, they dumped her into a routine potboiler, gave her the sort of dialog "The Graduate" satirized, married her to a dull, transparent Clod (Jim Hutton) and cut off her hair.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Wes Craven 1939-2015

An obituary for Wes Craven.

The Unloved, Part 21: Anonymous

Scout Tafoya's Unloved series continues with Roland Emmerich's "Anonymous."

White Man Saves the World Again: The Problems with "Aloha"

An FFC comments on the controversy surrounding Cameron Crowe's Aloha.

Reveal Comments
comments powered by Disqus