In Memoriam 1942 – 2013 “Roger Ebert loved movies.”



This is one of the best films of 2015.

Other Reviews
Review Archives

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Festivals & Awards Archives
Other Articles
Channel Archives




Out in front of the Roosevelt Theater there's a big photo of John Wayne and this quote, attributed to him: "I've made a lot of action pictures but never one as exciting as this." I doubt that Wayne volunteered this information; it sounds more like a studio publicity idea.

The fact is, Wayne has made a lot of action pictures, and over the years he has gotten to be about as good at it as anybody. He must have been miserable during the filming of "Hellfighters," which is a slow moving, talkative, badly plotted bore.

The basic premise was promising: Wayne, who has played about every other sort of man of action, would be an oil-well fighter this time. That could have been fascinating if the film had really gotten into the techniques of his occupation.

Instead, there's a ridiculous story involving Wayne's wife (Vera Miles), who left him because she couldn't stand the worry, and his daughter (Katharine Ross), who marries his partner and insists on coming along to all the fires. Most of the action consists of everybody standing around telling the women they don't belong in a place like this. My theory is you should either leave women out of action pictures or give them something to do.

The film is a disaster for Miss Ross. In "The Graduate" she was beautiful, subtle and a great actress. Universal, which has her under contract, should have looked around for another suitable role. Instead, they dumped her into a routine potboiler, gave her the sort of dialog "The Graduate" satirized, married her to a dull, transparent Clod (Jim Hutton) and cut off her hair.

Popular Blog Posts

Anton Ego and Jesse Eisenberg: some notes on the presumed objectivity of critics

Matt Zoller Seitz reviews and reflects upon Jesse Eisenberg's New Yorker piece about film critics.

The Strange Case of "The Other Side of Midnight"

The film that Fox packaged with "Star Wars" to get theaters to play a little space opera no one had heard of was "The...

Spike Lee’s Oscar: Hollywood Does the Right Thing

An article about Spike Lee's Honorary Oscar at the 2015 AMPAS Governors Awards.

Reveal Comments
comments powered by Disqus