Efficient, nasty action scenes can't overcome mostly bland characterizations and a half-baked story.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
"Whistle Stop" (1946), with George Raft
"Ghost on the Loose" (1943) with the East Side Boys and Bela Ligosi
View image De Niro in "Casino." Las Vegas is a Hollywood movie.
From my piece on Sin City in the Movies at MSN Movies: The world has other gambling meccas -- Monte Carlo, Atlantic City, Reno -- but none as storied or mythologized as Las Vegas, an American dream-zone strategically located in the arid wasteland between Hoover Dam and Hollywood. The neon oasis is a concrete mirage: The closer you get, the more real the place becomes, but when you reach out to grab it, it slips through your fingers anyway. A surreal amalgamation of landmarks historical and imagined (Egypt, New York, Camelot), it rises out of shimmering heat and dust, a dazzling C.B. DeMille monument to profligate waste and the proposition that anything can be purchased or accomplished for a price.
Vegas is a Hollywood movie made corporeal, a surreal experience built on sand, powered by electricity, riches and promises of desires fulfilled. The electricity comes from the dam, the money comes from the odds that always favor the house, the desires come from the human heart (as well as a bit lower and to the right). But how sinful can sin be in a place called Sin City, where everything sinful in the outside world is overtly or tacitly permitted?