Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
Steven Soderbergh's "Behind the Candelabra" disappoints, Claire Denis's "Bastards" baffles, and Mahamat-Saleh Haroun's "Grisgris" is a mixed bag. So it goes sometimes at Cannes.
The competition film "A Castle in Italy," a lightweight comedy, seems strangely out of place.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…

These days, a character who smokes is self-destructive, a villain or a troubled high school student. "Addiction Incorporated" follows tobacco's journey downhill from respectability. After his long night's work, Santa used to relax with a Lucky on a back-cover ad in Life magazine, and Ronald Reagan liked to puff on Chesterfields. Now we learn of proposed new government health warnings that are more likely to make you spew than smoke your first cigarette.
The key player in this process was a man named Victor DeNoble, a scientist for Philip Morris, who began with the generally known fact that nicotine was addictive and discovered that a chemical named acetaldehyde made it more addictive. DeNoble was originally hired by Philip Morris to find a substitute for nicotine, in the attempt to develop a less addictive cigarette. (The tobacco industry's reasoning was: Dead smokers don't buy cigarettes.) When DeNoble reported his findings, Philip Morris switched signals and realized it could outsell their competitors by adding more acetaldehyde. At this time, the Tobacco Institute was making phony claims that there was no evidence cigarettes were addictive at all.
You may be assuming DeNoble is the same whistleblower played by Russell Crowe in "The Insider" (1999). No, that was Jeffrey Wigand, a scientist employed by Brown & Williamson. DeNoble's research was obtained by ABC News, whose corporate bosses vetoed its use. Wigand was leaking to "60 Minutes" on CBS, where network executives also were shy. There were a lot of cigarette ads on TV in those days, but more to the point, Big Tobacco had a reputation of suing for millions, and never losing a case.
The first half of this doc covers familiar territory; although everyone, even my parents who both died from smoking cigarettes, knew they were addictive, Big Tobacco had always denied it. Now DeNoble's research with laboratory rats proved it beyond a doubt. Rats who pushed a button got a rat-sized dose of nicotine. The first dose made them puke, but soon they were pushing the button 90 times a day. DeNoble was the most harmful witness imaginable to the industry, because he could testify that Philip Morris knew it and hoped to increase sales with its knowledge.
The second half of the film begins with a historic series of congressional hearings chaired by Rep. Henry Waxman (D-Calif.). Having thoroughly established that the industry knew nicotine was an addictive drug, Waxman summoned the heads of the seven major tobacco companies to testify. In the past they'd always refused to appear. This time, they showed up. Waxman drops a surprise: He places them under oath. They can either agree it is addictive or perjure themselves. All seven raise their right hands and swear smoking isn't addictive. Then DeNoble delivers his historic testimony. In the months to come, all seven resigned from their corporations.
DeNoble, from a working-class family, was its first member to attend college. That came after he discovered he was dyslexic, and "I wasn't stupid like I thought." Publication of his Philip Morris findings in a journal would have established his reputation. Instead, learning what his research paper contained, his bosses ordered him to withdraw it and kill his rats. Then they fired him. Today he speaks against cigarettes on national tours paid for by funds that were part of Big Tobacco's settlement with the government.
"Addiction Incorporated," directed by Charles Evans Jr., doesn't tell a new story, although it closes very recently with Obama signing the legislation that DeNoble's research put into motion. It's an effective film, livened with animated rats, never boring, and entertaining when it shows Rush Limbaugh, the cigar enthusiast, fulminating against the Waxman hearings.
The competition film "A Castle in Italy," a lightweight comedy, seems strangely out of place.
Boos for Takashi Miike's "Shield of Straw," a muddled "Blind Detective" from Johnnie To and Paolo Sorrentino's "The G...
At Cannes, the Coen brothers discuss their inspirations for "Inside Llewyn Davis."
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.